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Table of Content

    28 September 2023, Volume 3 Issue 3
    Digital History and the Politics of Digitization
    Gerben Zaagsma, Trans.Zhang Chenwen
    2023, 3(3):  3-26. 
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    Much has been made in recent years of the transformative potential of digital resources and historical data for historical research. Historians seem to be flooded with retro-digitized and born-digital materials and tend to take these for granted, grateful for the opportunities they afford. In a research environment that increasingly privileges what is available online, the questions of why, where, and how we can access what we can access, and how it affects historical research have become ever more urgent. This article proposes a framework through which to contextualize the politics of (digital) heritage preservation, and a model to analyze its most important political dimensions, drawing upon literature from the digital humanities and history as well as archival, library, and information science. The first part will outline the global dimensions of the politics of digital cultural heritage, focusing on developments between and within the Global North and South, framed within the broader context of the politics of heritage and its preservation. The second part surveys the history and current state of digitization and offers a structured analysis of the process of digitization and its political dimensions. Choices and decisions about selection for digitization, how to catalogue, classify, and what metadata to add are all political in nature and have political consequences, and the same is true for access. The article concludes with several recommendations and a plea to acknowledge the importance of digital cataloguing in enabling access to the global human record.

    Linguistics and Digital Humanities: Observations from Dialectometry Scholars: Interview with Associate Researcher Huang He

    Huang He, Fang Shuyi
    2023, 3(3):  27-36. 
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    Currently, digital humanities claims to prioritize linguistic research, but its focus is actually limited to fields such as computational linguistics, lacking a comprehensive understanding of the current development of the linguistics as a discipline. The article is an interview with Dr.Huang He from the Institute of Modem Languages and Linguistics, Fudan University, an active scholar in the field of linguistics, especially dialectometry. The purpose is to clarify the relationship between linguistics and digital humanities. Dr.Huang believes that“digital humanities” should refer to humanities research assisted by digital technology, while linguistics is a complex group of disciplines, with fields that lean towards the humanities, such as literary linguistics; fields that lean towards the natural sciences, such as neurolinguistics; and those with a nature of social sciences, such as geolinguistics. The application of quantitative methods in the latter two is already widespread, which might be one of the reasons why the concept of“digital humanities” is less emphasized in linguistics. The label“digital humanities” is meaningful during a certain historical period, but its scope will gradually narrow, and it does not meet the basic requirements to constitute an independent discipline. Furthermore, using dialectometry as an example, Dr.Huang points out some problems in current quantitative research in this field and the essential elements that a good quantitative study should have, providing insights for digital humanities research in various fields.

    Ontology Construction: Ancient Chinese Artifacts Conceptual Reference Model

    Ye Yipei
    2023, 3(3):  37-48. 
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    This study aims to achieve information exchange and integration among cultural heritage institutions and provide machine-readable information resources to meet the needs of generative artificial intelligence in factual reasoning and decision support. Focused on ancient Chinese movable artifacts, the research utilizes the CIDOC-CRM framework as a foundation and combines top-down and bottom-up approaches to construct the Ancient Chinese Artifacts Conceptual Reference Model(CRM-ACA).Building upon this ontology model, a knowledge graph is created to facilitate data services for the Palace Museum's Online Collection Platform, thereby validating the operability of CRM-ACA. This development fills gaps in the museum industry and promotes the exchange, integration, and intelligent processing of museum collection information.

    Digital Cultural Heritage Preservation Practices in Conflict Areas: Example of Saving Ukrainian Cultural Heritage Online (SUCHO)

    Zhang Yangming
    2023, 3(3):  49-58. 
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    Digital Cultural Heritage Preservation Practices in Conflict Areas: Example of Saving Ukrainian Cultural Heritage Online (SUCHO)“Saving Ukrainian Cultural Heritage Online”(SUCHO)is an emergency digital cultural heritage protection action initiated by western digital humanists in the context of the 2022 Russia-Ukraine conflict. Within a few months after the outbreak of the conflict, the project rallied more than 1,500 international volunteers, mainly using open-source web archiving tools from the online community and customized metadata solutions, to back up the content of more than 5,000 websites and 50TB of data resources from Ukrainian cultural institutions in the form of online collaboration. After the second half of 2022,the project has entered the follow-up stages of content curation, publicity education and offline support, and produced various types of digital humanities outcomes. Through case analysis, the research believes that the success and sustained operation of the project cannot be separated from the key contributions of the online volunteer community, distributed web archiving, and coordination by the digital humanities team. Although the project itself has some limitations, such as the flaws inherent in the online volunteer community, it provides a bottom-up innovative solution for similar digital cultural heritage crises.

    An On-Site Study and Its GIS Presentation of the Grand Canal in Painting Album of the Great Canal Journeys by Qian Gu and Visual Travelogue of a Journey Through the Waterways by Zhang Fu of Ming Dynasty

    Chien Chin-Sung, Liao Hsiung-Ming, Wang Yong, Zhang Shujun, Tang Chen, Yan Cheng, Xie Dinghong
    2023, 3(3):  59-128. 
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    Qian Gu(钱穀)’s Painting Album of the Great Canal Journeys(《纪行图册》)was based on Wang Shizhen(王世贞)’s Shi Jin Ji Xing(《适晋纪行》)in the fourth year of the Longqing reign(1570) in June and was painted into 32 scenes from Cangshan Xiaozhi Garden(仓山小祗园) to Yangzhou Yangzi Bridge(扬州扬子桥).Zhang Fu(张复)’s Visual Travelogue of A Journey Through the Waterways(《水程图》)was drawn on the boat going north when Wang Shizhen entered the position of Taipu(太仆) in the second year of Wanli(1574) in February.He depicted 52 scenes from Shao Bo(邵伯)to Tongzhou(通州).Both works were done in a realistic style and are considered exceptional in the Ming dynasty’s painting history. This article uses the on-site study method to undertake three tasks. First, since Wang Shizhen’s trip to the north coincided with the Great Canal’s changing period during the completion of the Longqing Xinhe(隆庆新河)and the discussion of the Jiahe(泇河),this article intends to digitize all the waterways they passed through. Second, Qian Gu stated that he wanted to record the true landscape at that time, so this article uses travel diaries, local gazetteers, ancient and modern maps, and my own research results through the on-site study to explain each illustration and verify the degree of realism depicted by the painters. Third, the value of the more than 80 scenes is like discovering a large box of Ming dynasty videotapes. This article will reveal the true appearance of the Great Canal in the Ming dynasty in a visual and expressive manner through the true nature of the scenes.