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    Prompt Engineering and Human-AI Collaboration Strategies with Large Language Models for the Analysis of Oral History Texts

    Ma Linqing, ShiJiaqi, Cao Xingyu
    Digital Humanities Research    2025, 5 (3): 41-60.  
    Abstract612)      PDF(pc) (4140KB)(481)       Save

    Historical inquiry has long relied on official archives and elite writings, often marginalizing individual memories. Oral history offers a distinctive window onto overlooked social life and personal recollection; however, its non-standardized, highly context-dependent, and multi-layered textual characteristics pose challenges for structured information extraction and systematic analysis. Using oral history texts concerning ration coupons as a case study, this research explores and validates a human-AI collaboration methodology that “disciplines” large language models(LLMs) into scholarly assistants capable of strict instruction following. We design a progressive four-stage experiment—basic instructions, rule-based instructions, programmatic constraints, and few-shot learning—to iteratively optimize how to leverage LLMs, semantic understanding and instruction-following capabilities for efficient and precise structured information extraction. The findings show that the maturity of prompt engineering substantially affects output quality, and that carefully designed programmatic constraints can markedly improve the accuracy of LLM-based analyses. We further compare LLMs optimized for different tasks within a common technical framework, documenting variation in logical adherence, confirming the value of few-shot learning while identifying its point of diminishing returns, and revealing inherent limitations of LLMs in tasks requiring exact computation. The study distills an LLM “disciplining” framework for oral history text analysis that incorporates core strategies such as rule-based transduction/normalization and prudent task allocation between humans and models. The framework delivers efficient and accurate structured analysis of oral history texts and offers a reproducible, scalable intelligent research paradigm for digital humanities.

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    Transnational Connections and Barriers in DH: A UK-China Case Study
    Chen Jing, Paul Spence, Trans. Jiang Yunfang, Zheng Xinyi
    Digital Humanities Research    2025, 5 (3): 1-40.  
    Abstract456)      PDF(pc) (11854KB)(162)       Save

    This report presents the findings of a comparative study of the digital humanities landscapes in the UK and China, based on a literature review and 45 in-depth interviews with academics, funders, policy makers, and professionals across the cultural and technological sectors. It offers the first large-scale, qualitative cross-national comparison of DH in these two countries and explores how cultural, institutional, and infrastructural contexts shape digital scholarship in the humanities.

    The research identifies both shared challenges and divergent trajectories in DH development. While the UK has a longer tradition of DH institutionalisation—rooted in academic departments, project-based innovation, and integration with cultural heritage institutions—China’s DH field has grown rapidly in recent years, influenced by national strategies, infrastructural ambitions, and an increasingly interdisciplinary academic environment.

    Key findings include:

    ● Diverse understandings of DH

    UK participants often view DH as experimental, interdisciplinary and practice-based, while Chinese scholars describe a fragmented but rapidly growing field, often shaped by institutional constraints and pragmatic goals.

    ● Funding landscapes

    In the UK, competitive, project-based funding is typical, with expanding support for infrastructure and public engagement. In China, funding is more centralised and strategically aligned with government priorities, especially in cultural heritage and smart technologies.

    ● Infrastructure gaps

    Both Countries face challenges in sustaining digital infrastructure. UK stakeholders emphasise interoperability, diversity, access, and sustainability; Chinese participants focus on uneven development, regional disparities, and data standardisation.

    ● Professional identity and career paths

    UK scholars have greater recognition of DH roles, though career progression for technical staff remains difficult. In China, DH identities are less formalised, and professional pathways are emerging but uncertain.

    ● Collaboration opportunities

    There is strong interest in UK-China collaboration, but barriers include linguistic divides, lack of shared platforms, limited cross-national funding, and epistemic disconnections in research practice.

    The report concludes with strategic recommendations for funders, researchers, universities, and the Galleries, Libraries, Archives and Museums(GLAM) sector to strengthen transnational collaboration, build inclusive infrastructures, support emerging professionals, and foster mutual understanding across the UK and China in the digital humanities.

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    Chinese Character Standardization in the Digital Age: Examples from the GB 18030—2022 Standard

    Yang Yanhui
    Digital Humanities Research    2025, 5 (3): 107-117.  
    Abstract399)      PDF(pc) (1588KB)(132)       Save

    The mandatory national standard GB 18030-2022 “Information Technology—Chinese Coded Character Set” modified 52 glyphs containing the component “” from“” to“” compared to its previous version. Among these, the 14 characters that overlap with the “General Standard Chinese Characters Table” appear twice in different appendices of this character set, with the same character glyphs inconsistently using either “” or “”, resulting in contradictions. The rationale behind these glyph modifications remains unclear and involves changes in character construction principles, making the revisions debatable. This issue reflects a broader problem in the digital era: the disconnection between fundamental research and practical application in the informatization of Chinese characters and the language, which carry profound cultural connotations. This disjunction directly impacts the continuous inheritance of Chinese cultural heritage, and resolving the issue require stop-level design and long-term planning from a macro perspective.

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    Summary of the International Symposium on “Cultural Diversity and Digital Humanities”

    Zhou Shubin, Wang Huiru
    Digital Humanities Research    2025, 5 (3): 118-128.  
    Abstract352)      PDF(pc) (1641KB)(232)       Save

    This paper reviews the "Cultural Diversity and Digital Humanities" International Symposium held in Hohhot, China, from July 29 to 30, 2025. The conference was jointly organized by the School of Information Resources Management and the Research Center for Digital Humanities of Renmin University of China, and the Institute of the History of science and technology at Inner Mongolia Normal University. The conference attracted 227 scholars and industry experts from countries and regions including China, Australia, Japan, and Singapore, with 112 papers selected for presentation and 6 projects exhibited. The conference included keynote speeches and six thematic forums, covering topics such as digital literacy and education, science and technology heritage preservation, digitization of ancient books and documents, multimedia communication, cultural industry empowerment, and the construction of national communities. The symposium highlighted the unique characteristics of digital humanities in the fields of technological empowerment and cultural transformation, cultural diversity and social identity, international dialogue, and regional cooperation. It showcased the latest achievements in protecting and innovating cultural diversity through digital humanities and provided a reference for the development trends of China’s digital humanities research in the international context.

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    The Thought of li and yue (礼乐) and “Ordered Tianxia”: A Social Network Analysis of War and Alliance in the Pre-Qin International System

    Hou Changkun
    Digital Humanities Research    2025, 5 (3): 90-106.  
    Abstract330)      PDF(pc) (5759KB)(283)       Save

    What kind of distinctive international order existed in the Spring and Autumn and Warring States periods that prevented the phenomenon and practice of “might makes right” and “small states having no diplomacy” from being carried out thoroughly? Mainstream international relations theories, such as hegemonic stability theory and balance-of-power cost arguments, fail to adequately explain this phenomenon in the Pre-Qin era. Alternative theories based on exceptionalism provide partial explanations but lack universality. In this context, this article draws on the Confucian thought of li and yue (propriety and harmony,礼乐) in the Liji to Construct a theoretical branch of Tianxiaism, namely the “Ordered Tianxia” theory, to explain the existence of this distinctive order. At the same time, the study offers implications for contemporary dominant powers and aspiring hegemons in building international order. It argues that certain hegemonic behaviors reflect the ideas of li and yue: propriety and harmony generate order, thereby forming an ordered international system. Li Constrains the behavior of states such that great powers protect small states, small states support great powers, and both respect one another. Methodologically, this research applies social network analysis to examine the war and alliance networks of the Pre-Qin international system and conducts case comparisons of Duke Huan of Qi and Duke Wen of Jin. The findings Confirm that the phenomenon of “Ordered Tianxia” did exist and functioned in shaping the international order of that era.

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    An On-site Research of DuFu’s Poem “Felling Trees in Huo Jing Arousing Shrieking of Apes”: The GIS Digital Platform on Forts and Postal Ways in Qiong Ya, Jian Nan Dao
    JianJinsong, Liao Xuanmin, Wang Yong, LinXiaoyun, Zheng Tengyao
    Digital Humanities Research    2025, 5 (3): 61-89.  
    Abstract291)      PDF(pc) (10707KB)(110)       Save

    In Du Fu’s poem Ru Zou Hang Zeng Xi Shan Jian Cha Shi Dou ShiYu (入奏行赠西山检察使窦侍御) exists the line “Felling Trees in Huo Jing Arousing Shrieking of Apes” (斩木火井穷猿呼).It reflects his concern for the defense of QiongZhou (邛州) and YaZhou (雅州) in Jian’nan Dao (剑南道). Similarly, he also mentions “The smoke of war spreads out into HuoJing” (烟尘侵火井)in his poem Xi Shan San Shou (西山三首), further revealing his anxiety about regional security of QiongZhou and YaZhou.

    From the perspective of satellite imagery, I examine the crisscrossing ridgelines of the Western Mountains in Jian’nan, which often reach heights of up to 5,000 meters. These imposing natural barriers entirely surround and block potential Tibetan (吐蕃) incursions into QiongZhou (邛州) and YaZhou (雅州) via this route. Interestingly, Du Fu never visited QiongZhou or YaZhou himself. How should we interpret his concern for their defense in the context of the Tang-Tibetan conflicts?

    Using digital methods, this study reconstructs three major transportation routes: the road from Chengdu (成都) to DaJianlu (打箭炉), the route from Chengdu through WenChuan County (汶川县) via the resplendent Banlan Balang Mountain Pass (斑斓巴朗山垭口), and the ancient Lingguan Post Road (灵关古驿路) as recorded in Yuanhe Gazetteer of Prefectures and Counties (元和郡县图志). These roads are presented through detailed data and visualization, offering readers a factual basis to evaluate the plausibility of Tibetan incursions into the Qiong and Ya regions.

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    Constructing an Independent Knowledge System for Chinese Digital Humanities from the Perspective of Sovereign AI
    Liu Wei, Liu Shengying, Jin Jiaqin, Shan Rongrong
    Digital Humanities Research    2025, 5 (4): 3-16.  
    Abstract244)      PDF(pc) (2031KB)(465)       Save
    In the context of intensifying global technological competition and the emergence of "Sovereign AI" as a national strategic priority, the development of an autonomous knowledge system has become a central issue in safeguarding national digital sovereignty and cultural security. This paper systematically explores the urgency, theoretical foundations, and practical paths for building China's digital humanities autonomous knowledge system. It first examines the meaning of "Sovereign AI" in terms of technological control and cultural and semantic dimensions, analyzing its role in countering "digital colonialism." Building on this, the paper introduces Professor Duan Yucong's theory of "semantic sovereignty" and the DIKWP (Data-Information-Knowledge-Wisdom-Purpose) model as the core theoretical framework, arguing that the construction of an autonomous knowledge system in China must involve deep leadership over both the content and value intentions of knowledge. By analyzing key cases such as the China Academic World platform, the Shidian Ancient Books platform by ByteDance and Peking University, and the ICH-Qwen large language model, the paper reveals a construction path that integrates top-level design, technological empowerment, and paradigm innovation. The research indicates that China's digital humanities autonomous knowledge system is built on the Sovereign AI strategy, with semantic sovereignty as the core, using digital platforms and intelligent tools to achieve data autonomy, knowledge innovation, and value guidance. Finally, the paper reflects on potential challenges such as the "sovereignty trap" and envisions the future of an open, confident, and globally influential Chinese digital humanities academic community.
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    Construction and Application of the Knowledge Base for Duan Yucai's Shuowen Jiezi Zhu
    Shen Xiaoni, Peng Weiming, Hu Jiajia
    Digital Humanities Research    2025, 5 (4): 68-83.  
    Abstract177)      PDF(pc) (7217KB)(339)       Save
    Duan Yucai's Shuowen Jiezi Zhu(Annotations on Shuowen Jiezi) stands as the pinnacle of research on Shuowen Jiezi, centrally reflecting the academic achievements of the Qian-Jia School. Currently, digitalization efforts for this work have largely remained at the textualization stage, with limited progress in the in-depth exploration and systematic presentation of its knowledge system. This research constructs a knowledge base using this work and its draft manuscript Shuowen Jiezi Du(Reading Notes on Shuowen Jiezi) as foundational texts. It designs a three-tier classification system encompassing five major knowledge categories, ten knowledge sets, and fifty-six knowledge points, completing the annotation and structured representation of tens of thousands of knowledge instances. An interactive platform featuring original text retrieval, knowledge navigation, and annotation management functions has been developed. This study represents a systematic practice of digital humanities methods in the field of traditional philology,providing crucial references for the in-depth digitization of ancient texts and the innovation of humanistic research paradigms.
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    To Augment, Not Replace: AI Metadata Generation Models for Audiovisual Archives and Cultural Interpretation
    Wei Xiaoshi, Matthew James
    Digital Humanities Research    2025, 5 (4): 60-67.  
    Abstract163)      PDF(pc) (1310KB)(192)       Save
    This article addresses the challenges faced by GLAM institutions in managing sound and audiovisual archives, characterised by exponential digital growth, funding constraints, and a shortage of specialised cataloguing expertise. In response to this “triple dilemma,” we advocate for developing AI-assisted metadata tools designed to augment—not replace—human expertise, thereby shifting focus from digitisation to knowledge organisation and recontextualisation. Through a case study on early 20th-century Chinese quyi(narrative singing) recordings, we demonstrate how a domain-specific AI model—integrated with a Retrieval-Augmented Generation(RAG) architecture and trained on classical texts and expert annotations—enables deeper semantic analysis and culturally sensitive description. Ultimately, we call for collaborative development of such AI systems among ethnomusicologists, archivists, and technologists. This human-in-the-loop approach aims to enhance the global accessibility and interpretability of sound archives while preserving the accuracy and richness of cultural contextualisation.
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    Artificial Intelligence's Involvement in the Path of Film Criticism: “Non-human” Interpretation, Algorithmic Illusion and Platform Orientation
    Song Wei
    Digital Humanities Research    2025, 5 (4): 118-128.  
    Abstract155)      PDF(pc) (1737KB)(247)       Save
    In the era of cultural production increasingly shaped by artificial intelligence, big data and algorithmic logics have become deeply embedded in the fabric of film-criticism practices. Within this process,“AI distant viewing” conducted under the framework of computational film studies, together with algorithm-driven computational understanding and generative criticism,does not in fact construct a complete chain of “viewing-interpretation-critique. ” Instead, it tends to produce a de-aestheticized and de-experiential “meaning-vacuum” form of approximation. At the same time, platform-oriented aggregation and recommendation based on probabilistic statistics merely fabricate a service-oriented feedback mechanism that resembles criticism and appears to generate critical efficacy,while its essence lies in a field of homogenized opinion reproduction governed by algorithmic preset rules. The transformation of film criticism in the age of AI is therefore not a paradigmatic overhaul but a path-dependent intervention that introduces heterogeneous forces into processes of viewing,interpretation, and dissemination,  thereby exerting multidimensional infiltration, redirection, and structural constriction upon existing critical paradigms.
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    An Ambiguous Reference Resolution Method for Party History Literature Integrating Semantic Understanding and Knowledge Graph Reasoning
    Ran Lingyu
    Digital Humanities Research    2025, 5 (4): 84-98.  
    Abstract133)      PDF(pc) (1903KB)(409)       Save
    The intelligent processing of Party history literature faces significant challenges due to the extensive use of pseudonyms,  alternative designations, and complex implicit relationships. This study proposes a multi-strategy semantic understanding and dynamic knowledge graph reasoning-based method for ambiguous reference resolution to address three major challenges in this field: the semantic gap, temporal evolution, and sparse evidence. The method constructs a domain-specific lexicon covering over ten thousand entities and a pseudonym-real name mapping database to incorporate prior knowledge. A domain dictionary-guided negative sample sampling strategy is employed to fine-tune pre-trained language models, enhancing their semantic perception of specific expressions. Finally, a time-constrained graph neural network reasoning algorithm is applied on a self-built temporal knowledge graph to mine implicit relationships and perform consistency verification. Experimental results demonstrate that the proposed method achieves an overall F1 score of 80.6% on authoritative evaluation metrics, significantly outperforming existing baseline models,and effectively uncovers deep historical correlations. The research outcomes have been integrated into a visual prototype system, providing a reliable intelligent tool for Party history research.
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    Bringing Local Voices to the World: A Seminar on the Glocal Practice of Sound Archives—A Review on Their Creative Reconstruction in Digital Humanities
    Wu Yang, Liu Ying, Wan Zhenyan
    Digital Humanities Research    2025, 5 (4): 21-25.  
    Abstract132)      PDF(pc) (1191KB)(438)       Save
    Sound archives, serving as vital carriers of cultural heritage,present enhanced possibilities—including data storage and migration, cataloguing, annotation, implementation, and dissemination—through the application of digital humanities technologies. This interdisciplinary symposium, “The ‘Glocalisation’ Practices of Sound Archives,” explores the integration of sound archives with digital methods for their preservation,interpretation,and activation. Contributions include Professor Richard Wolf’s reflections on ethnomusicological film as a medium for archiving and contextualizing traditional music; Dr. Xiaoshi Wei’s emphasis on deep description and recontextualisation of private sound collections; Dr. Matthew James’s presentation on the AI-enhanced, globally-oriented “Echo Arc” project for audiovisual archives; and Curator Colin Chinnery(Qin Siyuan)’s discussion on the cultural and technical dimensions of sound collection and exhibition. Together, these case studies illustrate current interdisciplinary innovations and pathways in sound archive research, while underscoring the need for future digital practices to preserve cultural diversity better and ensure that sound is accurately heard, understood, and activated within a globalised framework.
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    Presenting Folk Sound Documents in Museums
    (Colin Siyuan Chinnery
    Digital Humanities Research    2025, 5 (4): 35-47.  
    Abstract121)      PDF(pc) (17086KB)(175)       Save
    Based on Colin Siyuan Chinnery's report presented at the symposium “The ‘Glocalization’ Practices of Sound Archives,” this article delves into the practical pathways for inheriting and revitalizing folk sound archives with in the museum context. Through the archaeological investigation, observation, salvage, and documentation of sound categories such as “long-vanished sounds,” “ soon-to-disappear sounds,” and “ socially enduring sounds,” it explores how such sound archives can transcend mere documentary preservation via museum narrative techniques. This approach serves as a unique methodology for understanding social transformation and diagnosing cultural ecology, thereby linking individual memory with collective history.
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    Exploring the Possibilities of Literary Reception Studies through Quantitative Analysis: A Case Study of Matsuo Bashō’s Reception in the Modern Era
    Hibi Yoshitaka, Jiang Hui
    Digital Humanities Research    2025, 5 (4): 99-117.  
    Abstract112)      PDF(pc) (2906KB)(337)       Save
    This study aims to explore the potential of digital humanities methods in literary history research through a quantitative analysis of the reception of Matsuo Bashō in modern haiku. Utilizing the digital collections of the National Diet Library of Japan, the frequency of citations of Bashō’s haiku in literature from the Meiji to the prewar Shōwa period was statistically analyzed. Additionally, the Jaccard coefficient was employed to conduct a similarity analysis of large-scale haiku collections from the Meiji, Taishō,and prewar Shōwa periods. The research found that Bashō’s influence on haiku gradually declined over time, while the haiku of Masaoka Shiki, known for his criticism of Bashō, exhibited a style closer to Bashō’ s than that of general haiku from the Meiji period. This demonstrates that computer-based quantitative analysis can capture subtle expressive differences that are difficult for humans to detect,extracting the “unconscious rhetoric” of individuals and eras. Digital humanities methods can reveal deep-seated patterns that traditional research struggles to access,providing new pathways for the construction of “digital literary history”.
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    The Temporal Dimension of Ethnographic Film: Cases from the Wakhan Corridor and South India
    Richard K.Wolf
    Digital Humanities Research    2025, 5 (4): 26-34.  
    Abstract109)      PDF(pc) (5099KB)(318)       Save
    Based on Richard K. Wolf’s presentation at the symposium “The ‘Glocalisation’ Practices of Sound Archives,” this article delves into the reconstructive practices of archival materials across different temporal dimensions in ethnomusicological film. By comparing the disparities in traditional music archive development across different countries and regions and their resulting realities, it emphasises the core value of field recording archives and systematic metadata documentation. Using two of his own ethnomusicological films as examples, Professor Wolf elaborates on their role in activating and reconstructing sound archive materials. This approach not only enhances the preservation of sound and imagery but also, through re-contextualization, helps communities reflect on and engage with their own history while pondering the relationship between digital technology and cultural heritage.
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    Beyond Digitisation: Recontextualising Sound Archives in China
    Wei Xiaoshi
    Digital Humanities Research    2025, 5 (4): 48-59.  
    Abstract105)      PDF(pc) (8442KB)(176)       Save
    This article examines the paradigm shift in the preservation and study of sound archives in China, particularly those of traditional musics, moving from a focus on technical digitisation towards annotation, documentation, and—in its key concept—recontextualisation. Through multiple case studies—from early wax-cylinder recordings to contemporary field collections—I demonstrate how sound archives can be recontextualised by excavating their narrative, emotional, and cultural dimensions. I argue that sound archives should be treated as living cultural texts, embedded with rich layers of social,historical,and personal meaning. Such an approach reactivates sound as a medium for cultural dialogue, identity negotiation,and interdisciplinary research. Ultimately, the study calls for a more integrated, multimodal methodology in digital humanities—one that engages with sound archives not as isolated artefacts,but as dynamic resources for understanding “where we are” and “who we are.”
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    Wei Xiaoshi
    Digital Humanities Research    2025, 5 (4): 17-20.  
    Abstract96)      PDF(pc) (11752KB)(188)       Save
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    Formalization Bias in Digital Humanities: Formation,Effects,and Methodological Reflection
    Zhao Haoyue
    Digital Humanities Research    2026, 6 (2): 3-17.  
    Abstract56)      PDF(pc) (9721KB)(59)       Save
    This article focuses on data structuring and algorithmic classification methods in digital humanities,examining how “formalization bias” is formed,how it operates,and what consequences it produces.It first distinguishes among three levels: formal logic,formal operations,and formalization bias.Formalization bias is defined as the tendency for material attributes that are codable,comparable,and visualizable to gain sustained priority in research design,evidence construction,and interpretive judgment. The article then analyzes the formation of formalization bias from three aspects: technical entry points,methodological compatibility,and incentives in knowledge production.Drawing on cases of text analysis and spatial analysis,it further explains how formalization bias functions as a structural mechanism that affects the boundaries of research objects,the weighting of evidence,and the organization of knowledge. The study argues that examining formalization bias helps reveal the selective mechanisms and interpretive boundaries through which digital methods participate in the production of humanistic knowledge.Methodological reflection in digital humanities should therefore further clarify the conditions of production,scope of applicability,and interpretive responsibility of digital outputs through approaches such as database structures that accommodate uncertainty,reflexive metadata,and transparency about failure.
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    How Does “Wen” Carry the “Dao”? A Knowledge-Graph-Based Study of the Transformation of the Guwen Movement
    Yan Liyuan
    Digital Humanities Research    2026, 6 (2): 79-98.  
    Abstract46)      PDF(pc) (8101KB)(37)       Save
    Based on multidimensional annotation and relational analysis of prose style,genre,and knowledge structure in 57,043 digitized texts by 226 Tang-Song authors from Quan Tangwen and Quan Songwen,this article finds that the Guwen Movement was not only a shift from parallel prose to plain prose,but also a reorganization of genre functions and modes of knowledge organization.The data show a relatively stable trend toward plain prose,the decline of fu,the rise of letters and argumentative genres,and a concentration of classical and historical discourse,indicating that Tang-Song literati gradually expanded the expressive forms of writing for statecraft. The guwen writers represented by the Tang-Song Eight Masters were especially inclined to organize classical and historical knowledge and articulate political and ethical judgments through plain prose,argumentative writing,prefaces,and letters.From the perspective of intellectual history,this transformation corresponds to Neo-Confucian attention to concrete affairs and the “wen-thingsDao” structure,showing that “writing to carry the Dao” increasingly turned toward a form of statecraft writing that intervened in reality and shaped thought through knowledge-based argumentation.
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    After “Close Reading”, How to “Distantly Read”? Methodological Implications of Data-Driven Linguistics for Literary Studies: An Interview with Professor Liu Haitao
    Liu Yongqiang, Chen Zixuan, Liu Haitao
    Digital Humanities Research    2026, 6 (2): 18-26.  
    Abstract45)      PDF(pc) (1386KB)(55)       Save
    In recent years,linguistics has progressively developed data-driven linguistics on the basis of quantitative linguistics,aiming to discover patterns and extract regularities from large-scale linguistic data.Can literary studies,with its long tradition of close reading,also move toward a data-driven approach? It is precisely with this question that this article interviews Professor Liu Haitao,a leading scholar of data-driven linguistics in China.Liu argues that literary studies need not shy away from discussing “patterns” and “regularities”; on the contrary,data-driven literary research is already an emerging trend.In the digital age,the key for literary studies is not to replace close reading with distant reading,but to reorganize the relationship between the two based on specific research questions.Against the backdrop of rapid advances in large language models,the significance of data-driven literary studies extends beyond methodological renewal to prompting humanists to rethink the relationships among text,data,knowledge,intelligence,and subjectivity.Accordingly,literary studies are facing not merely a simple technological turn,but a holistic transformation spanning concepts,materials,and methodologies.
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    An On-Site Study of the Qin-Feng Post Route in Du Fu's MiscellaneousPoems of Qin Prefecture-Also on the Digitization of the Northernand Southern Post Routes from the Longyou Province tothe Capital in the Tang Dynasty
    Jian Jinsong, Liao Xuanming, Wang Yong, Huang Jinwen
    Digital Humanities Research    2026, 6 (2): 27-78.  
    Abstract42)      PDF(pc) (2783KB)(104)       Save
    The annotations Du Fu's poetry are voluminous and of high quality,which is a long -held consensus inacademic circles. However, traditional methods of annotating poetry do not meet the needs of modern scholarship. Re-garding Du Fu's Miscellaneous Poems of Qin Prefecture, specifically from the lines " Hesitantly I crossed Long with fear;Boundlessly I reached the Pass with sorrow," if you have knowledge of the Qin-Feng postal route from Fengxiang toQin Prefecture in the Tang Dynasty,you can assert that this poem was not written in Qin Prefecture, but rather in LongPrefecture of Fengxiang District, midway along the postal route. A large number of chapters in this set of poems ob-served from far the military affairs northwest of Qin Prefecture, with the original intention of worrying about the invasionof Tubo (Tibetan Empire). The underlying reason is that Qin Prefecture was the southem barrier of the postal routefrom Longyou Province toward the capital. This paper uses the on-site research method to digitize the Qin -Feng postalroute traveled by Du Fu,and provides explanations for important locations such as "Crossing Long," "Dazhen Pass,"and "Wu Mountain. " There were two postal routes, north and south, from Longyou Province entering the capital. Thenorthern route goes from Lanzhou through Yuan Prefecture,enters Xiao Pass to Chang an, and the souhern route goesfrom Lanzhou via Lin Prefecture,enters Qin Prefecture, and enters Dazhen Pass to Chang 'an. I have digitized the entireroute. This determined the specific route of the most important section of the Silk Road-from Xi'an to Lanzhou.
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    Experiences and Reflections on the Construction of an Intelligent Corpus for the Study of the History of the CPC
    Digital Humanities Research    2026, 6 (1): 32-42.  
    Abstract42)      PDF(pc) (14305KB)(20)       Save
    he study of the history of the CPC faces core challenges such as fragmented historical materials, a single form of dissemination, and insufficient personalized education.To address these issues, this study constructs an intelligent corpus for the study of the history of the CPC.Its core innovation lies in proposing a dedicated OCR adaptation scheme for Party history documents and a parent-child segmented knowledge base construction model, forming a technical framework "based on OCR adaptation and transformation, with a parent-child segmented knowledge base as the core, and supported by four functional modules(intelligent question answering, word cloud, knowledge graph, and mind map)." This article analyzes the key problem-solving strategies and functional module implementation mechanisms in the development of the intelligent corpus, extracts the construction experience in technology adaptation, knowledge structuring, and demand orientation, and discusses existing problems such as corpus processing, proofreading tools, and knowledge base development, providing a reference for the technological empowerment of the deepening of Party history research.
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    Construction and Historical Application of the Intelligent Analysis System for The Sheng Xuanhuai Archives——From Enhanced Retrieval to Agent Reasoning
    Zhang Guangwei
    Digital Humanities Research    2026, 6 (1): 43-52.  
    Abstract41)      PDF(pc) (7005KB)(9)       Save
    Faced with a vast and highly unstructured body of historical archives, traditional digitization and keyword retrieval methods are insufficient to meet the increasingly complex needs of historical research.This is especially true when dealing with complex historical materials like The Sheng Xuanhuai Archives,which involve a multi-dimensional network of late Qing Dynasty politics, economy, and diplomacy.Researchers often find themselves in a predicament of incomplete retrieval, unclear organization, and difficulty in making connections.This study, based on a review of the technological background of the digital humanities' transformation from digitization and structuring to intelligentization, introduces cutting-edge thinking chain technology and reasoning-action framework from large language models to construct an "Intelligent Analysis System for The Sheng Xuanhuai Archives" based on Agentic RAG.This system breaks through the limitations of traditional predefined knowledge graphs, achieving semantic vectorization and dynamic reasoning of the entire archive text through the collaborative work of five agents: "intent understanding, data retrieval, data summarization, evaluation and decision-making, and content writing." The system possesses the capabilities of proactively planning retrieval paths, multi-step logical deduction, cross-document evidence verification, and self-correction, simulating the cognitive process of historians: "proposing hypotheses—collecting historical materials—verifying and analyzing—forming conclusions." This article demonstrates the system's application potential through typical cases at the micro, meso, and macro levels.Research practice proves that this "human-in-the-loop" collaborative model in the AI era not only liberates historians from tedious information searching but also opens up new possibilities for historical research characterized by digital archaeology and holographic logic enhancement.
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    Copyright Protection of Traditional Local Opera Databases from the Perspective of Digital Cultural Heritage Governance
    Zuo Ziyu
    Digital Humanities Research    2026, 6 (2): 116-128.  
    Abstract41)      PDF(pc) (1445KB)(53)       Save
    Traditional local operas are the crystallization of collective wisdom,and thus they possess the ethnic,inheritable and cultural characteristics of folklore.As one of the examples of dramatic works in copyright law,local operas should be interpreted as those that have met the legal requirements for the formation of works. A compilation of local opera data( a local opera database),as one of the representatives of digital cultural heritage,is a collection of data about local operas that either constitute works or do not. The prerequisite for it to be protected by copyright is that it constitutes a compilation work.Given that the local opera database also has the nature of folklore,the use of the local opera database may lead to disputes over ownership,utilization and benefit distribution.To improve the copyright protection of the local opera database and curb the erosion of the database on the public domain of copyright,it is advisable to refine the ownership and utilization rules of the database,and establish a collective management system and benefit-sharing mechanism for the database.By taking the copyright protection of local opera databases as a starting point,it is hoped to provide a legal foundation for the better governance of a wider range of digital cultural heritage.
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    Construction of a Shui Script Character Database and Intelligent Recognition Platform
    Sun Zhihong, Xie Yufei, Ye Ling, Ye Chen
    Digital Humanities Research    2026, 6 (1): 94-109.  
    Abstract37)      PDF(pc) (43311KB)(14)       Save
    Shui script is a unique writing system of the Shui ethnic group in China and contains abundant information on ethnic culture, earning it the reputation of being the“encyclopedia”of the Shui people.However, its digital preservation and intelligent recognition face significant challenges due to the scarcity of data resources, the complexity and non-standardization of handwritten character forms, and the fact that semantic interpretation relies heavily on a limited number of inheritors.To address these issues, this study constructs a Shui Script Character Database and a Shui Script Intelligent Recognition Platform.The database adopts a four-level architecture of book-section-sentence-character, integrating character images, phonetic annotations, and explanatory glosses, while providing multi-path retrieval functions to effectively aggregate and manage dispersed Shui script documents.The intelligent recognition platform is built on a two-stage deep learning framework consisting of DBNet for text detection and CRNN for text recognition.By introducing a Unicode Private Use Area encoding scheme and employing data augmentation strategies, the platform is optimized for the low-resource characteristics, long-tail distribution, and complex layouts of Shui script data, thereby achieving high-accuracy recognition of handwritten Shui script texts.Experimental results demonstrate that the proposed method significantly outperforms existing general-purpose OCR solutions in Shui script text detection and recognition tasks.This research provides an effective technical solution for the digital preservation of endangered minority scripts such as Shui script and offers important reference value for digital humanities research on related ancient documents.
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    Gamified Being of Cultural Heritage: On the Playability in Digital Humanities Research
    Wang Yinan
    Digital Humanities Research    2026, 6 (1): 82-74.  
    Abstract33)      PDF(pc) (2018KB)(12)       Save
    This paper takes "gamified being" as a theoretical proposition to systematically explore the mode of existence and cognitive pathways of cultural heritage within the digital-native paradigm.It defines video games as procedural modeling/simulation systems encompassing four attributes: simulacra systems, embodied interfaces, possible spacetimes, and affective media.The study further reveals their mechanistic potential in enhancing synesthetic experiences, activating body schemas, expanding imaginative spaces, and guiding public action.Building on this foundation, "playability" is identified as a key concept in digital humanities research, defined as the unity of operational possibility and generative openness.Its methodological value is elaborated across four dimensions: the fusion of representation, embodied cognition, dynamic deduction, and the convergence of energy.The research suggests that playability is not only a survival mechanism for digital cultural heritage but also a critical pathway for transforming the mode of knowledge production in the humanities from textual interpretation to simulation and experience.
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    Mechanism of Prompt Stimulating Creativity in AI-Assisted Literary Creation
    Li Qian, Wu Jing
    Digital Humanities Research    2026, 6 (1): 75-93.  
    Abstract33)      PDF(pc) (9856KB)(12)       Save
    With the deepening involvement of generative artificial intelligence in literary creation, prompts have become a key factor shaping the effectiveness of human-AI collaborative writing.This study investigates how prompts stimulate AI's literary creativity by conducting generation experiments on the DeepSeek model using five types of prompts, and by employing a combined subjective-objective evaluation framework for both quantitative and qualitative analysis.Through a mechanism of“semantic orientation-cognitive-rhetorical intervention, ”prompts translate human intentions into executable creative operations for AI.Abstract-concept prompts activate cross-domain analogy, while integrative prompts facilitate the synthesis of heterogeneous semantics.The cultural parasitism of AI not only reflects the collective unconscious of humankind, but also creates opportunities for defamiliarized expression, thereby fostering the emergence of distributed creativity.The findings highlight the crucial role of prompt design and multi-round generation strategies in AI-assisted literary creation, and provide theoretical and methodological reference points for human-AI collaborative writing in the context of digital humanities.
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    Narrative Responsibility and Artificial Intelligence: How AI Challenges Human Responsibility and Sense-Making
    Digital Humanities Research    2026, 6 (1): 14-30.  
    Abstract33)      PDF(pc) (1996KB)(10)       Save
    Most accounts of responsibility focus on one type of responsibility, moral responsibility, or address one particular aspect of moral responsibility such as agency.This article outlines a broader framework to think about responsibility that includes causal responsibility, relational responsibility, and what I call“narrative responsibility”as a form of“hermeneutic responsibility”,connects these notions of responsibility with different kinds of knowledge, disciplines, and perspectives on human being, and shows how this framework is helpful for mapping and analysing how artificial intelligence(AI)challenges human responsibility and sense-making in various ways.Mobilizing recent hermeneutic approaches to technology, the article argues that next to, and interwoven with, other types of responsibility such as moral responsibility, we also have narrative and hermeneutic responsibility—in general and for technology.For example, it is our task as humans to make sense of, with and, if necessary, against AI.While from a posthumanist point of view, technologies also contribute to sense-making, humans are the experiencers and bearers of responsibility and always remain in charge when it comes to this hermeneutic responsibility.Facing and working with a world of data, correlations, and probabilities, we are nevertheless condemned to make sense.Moreover, this also has a normative, sometimes even political aspect: acknowledging and embracing our hermeneutic responsibility is important if we want to avoid that our stories are written elsewhere—through technology.
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    Zhang Yiming
    Digital Humanities Research    2026, 6 (1): 31-31.  
    Abstract31)      PDF(pc) (170KB)(6)       Save
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    Research on the Historical and Spatial Process of Global Virtual Currency Development
    Zhao Jiawen
    Digital Humanities Research    2026, 6 (1): 110-126.  
    Abstract30)      PDF(pc) (7402KB)(5)       Save
    Against the backdrop of rapid development in contemporary electronic information technology, virtual currencies have emerged and swept the world, disrupting global financial markets and traditional governance systems.Since Satoshi Nakamoto published the "Bitcoin White Paper, " Bitcoin has become a representative virtual currency.This article, relying on electronic historical documentation and internet archaeology methods, based on native electronic historical materials from the internet and combining the latest domestic and international research, traces the development history of Bitcoin from a global and long-term perspective, compares the regulatory policies of different countries, explores the important value of Bitcoin as a new type of transaction currency in the era of decentralization and deglobalization, and points out that the evolution of virtual currencies is a product of the intertwining of technological protocols, material carriers, and social applications, thus proposing the "Tripartite Nested Space Production Model" hypothesis.This article provides a new perspective and path for understanding contemporary financial history and the history of internet development.
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    Construction Methods and Practices of a Localized Intelligent Historical Data Management System
    An Gaoyi
    Digital Humanities Research    2026, 6 (1): 53-61.  
    Abstract28)      PDF(pc) (15037KB)(10)       Save
    In the current digital context, traditional centralized online databases face structural challenges in terms of data autonomy, continuous operation, and collaboration of massive amounts of data.This research aims to propose and construct a comprehensive solution centered on "data localization, " utilizing Obsidian note-taking software, open-source OCR technology, and a self-built private cloud synchronization mechanism to establish a personalized, highly portable, and collaborative historical data database.This solution solves the problem of the separation between historical materials and notes through Obsidian's pure Markdown architecture and plugin ecosystem, and integrates AI capabilities for historical data dialogue and analysis.Simultaneously, by building a high-performance private cloud, it overcomes the bandwidth limitations of traditional cloud storage, achieving data autonomy and efficient team collaboration.This solution provides individual researchers and small academic teams with a low-cost, sustainable, and highly secure digital humanities research workflow, contributing to the open and tiered development of academic accumulation.
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    The Evolution of Digital Humanities Research in Spanish-Speaking Regions(1998—2023):A Comparative Study with China
    Ma Xuanlin, Yang Zekun
    Digital Humanities Research    2026, 6 (2): 99-115.  
    Abstract27)      PDF(pc) (12598KB)(32)       Save
    Based on an overview of the history of digital humanities development in Spanish-speaking regions,this study systematically analyzes digital humanities papers published by researchers in major Spanish-speaking countries from 1998 to 2023 using bibliometric methods and large language modeling tools. It then compares these papers with those published in China to gain a deeper understanding of the characteristics and development paths of digital humanities research in the two regions.The study finds that digital humanities communities in the Spanish-speaking world exhibit close regional collaboration,focus on contemporary research subjects,and tend towards socio-cultural issues,with their development primarily driven by the humanities. In contrast,digital humanities research in China leans towards the digitization and intelligent application of humanities resources,primarily driven by cultural resources and technology.The development experiences of both regions offer valuable insights for understanding the diverse practical paths of digital humanities in developing countries.This study innovatively compares the development of digital humanities in non-English-speaking regions and introduces large language models to extract research subjects from papers,enhancing the methodological novelty of the literature review.
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    A Critical Reconsideration of Digital Humanities
    Heo Chul
    Digital Humanities Research    2026, 6 (1): 3-13.  
    Abstract24)      PDF(pc) (1410KB)(4)       Save
    As an emerging field in humanities research, digital humanities remains a somewhat ambiguous discipline, accompanied by ongoing controversy.This article, from a methodological perspective, comprehensively analyzes the discussions by scholars from various countries regarding digital humanities' role in overcoming the limitations of traditional humanities research, and critically points out the current tendency in digital humanities research to "emphasize data construction while neglecting substantive research.The article argues that digital humanities should essentially be understood as a methodology for humanities research, rather than an independent discipline, and emphasizes data accuracy, the scientific rigor of research, and the strictness of logical argumentation.At the same time, the article criticizes current digital humanities education for its excessive focus on the use of technological tools while neglecting the cultivation of awareness of humanities issues and the ability to identify and solve problems.Therefore, it is necessary to shift from a "technology-centric" to a "problem-centric" and "critical thinking" orientation.
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