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    Making Use of Digital Data to Build a Research Platform: Developing "Digital Tale of Genji”  by Cooperation of Researchers and Library Staff
    Nakamura Misa, Kigoshi MiChi, Ogawa Kayoko, Trans. Wang Zirui
    Digital Humanities Research    2025, 5 (1): 54-75.  
    Abstract496)      PDF(pc) (14455KB)(50)       Save

    The University of Tokyo Library, prompted by the digitization of its collection of The Tale of Genji manuscripts, organized study sessions involving researchers from various disciplines and library staff to explore the utilization of digital data centered around The Tale of Genji. As a result, the website Digital Tale of Genji was launched with the aim of creating a platform for textual research on The Tale of Genji. This paper discusses the background leading to the organization of these study sessions, the development and functional expansion of the Digital Tale of Genji platform, and the significance of collaboration between researchers and library staff in this initiative.

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    From Manual to AI: Exploring History and Humanities in the Age of Artificial Intelligence-Workshop Summary

    Tang Jiajun, Jin Bowen
    Digital Humanities Research    2025, 5 (1): 30-37.  
    Abstract441)      PDF(pc) (1115KB)(420)       Save

    From January11 to12, 2025, the academic workshop "From Artificial to Intelligent-Historical and Humanistic Exploration in the AI Era" organized by the School of History and the Digital Intelligence Documentation Laboratory of Digital History Research Center of Nanjing University was held in Nanjing. From the theoretical basis and methodological innovation of digital history to the construction of databases, artificial intelligence-assisted translation and intelligent knowledge bases, to the discussion of the subjectivity of historical researchers in the era of artificial intelligence, the content of the conference not only presented the cutting-edge practice of technology-enabled historical research, but also further deepened the understanding of the transformation of the production mode of historical knowledge.

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    Humanistic AI: Towards a New Field of Interdisciplinary Expertise and Research

    Mats Fridlund, David Alfter, Ashely Green, Aram Karimi, Cecilia Lindhé, Trans. Hu Yiyi
    Digital Humanities Research    2025, 5 (1): 3-10.  
    Abstract403)      PDF(pc) (951KB)(218)       Save

    The Gothenburg Research Infrastructure in Digital Humanities (GRlDH) have participated in projects within various humanities fields that utilise as well as develop research tools and infrastructural resources that incorporate applications of ‘artificial intelligence’(Al). These applications can include natural language processing, machine learning, computer vision, large language models, image recognition algorithms, classification, clustering, and deep learning. This paper advances the term ‘humanistic Al’ to describe an emergent form of interdisciplinary practice that uses and develops Al-based research applications to answer humanities research questions together with its entangled humanistic reflection. We coin this term to make implicit and visible the epistemological and material particularities of its practice and the new forms of knowledge its affordances make possible. The paper presents GRlDH projects within ‘humanistic Al’ together with its developed Al resources and applications.

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    Preserving Original Digital Cultural Heritage: Applications and Challenges of Computational Methods in Digital Game Research

    Adrian Demleitner, Eugen Pfister, Tobias Hodel, Fan Tao
    Digital Humanities Research    2025, 5 (1): 38-53.  
    Abstract353)      PDF(pc) (3182KB)(242)       Save

    How can video game studies and digital humanities mutually enrich the study of digital-born cultural artifacts? This paper presents findings from Confoederatio Ludens, a research project exploring Swiss video game culture from 1968 until 2000 through interdisciplinary methodologies. By applying computational approaches such as distant viewing of visual corpora, critical source code analysis, and metadata modeling among others, we reveal previously overlooked aspects of Switzerland's video game history, such as local adaptations of global gaming trends and the distinctive technological practices of Swiss developers. Furthermore, our project demonstrates how concepts of locality and regional history contribute critically to digital humanities scholarship, challenging established narratives dominated by U.S.-and Japan-centric histories. Reflecting on our initial findings, we discuss both methodological challenges and opportunities emerging from the intersection of these two fields, emphasizing the importance of preservation, computational analysis, and local historical inquiry. Ultimately, our approach highlights the value of interdisciplinary methods for understanding digital artifacts not just as technological objects, but as culturally embedded historical sources.

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    Construction and Application of A Two-Stage Embroidery Pattern Automatic Recognition and Segmentation Model for Digital Humanities

    Bao Yalin
    Digital Humanities Research    2025, 5 (1): 76-96.  
    Abstract352)      PDF(pc) (66128KB)(33)       Save

    Image segmentation methods have been used in the field of recognition and segmentation of traditional embroidery patterns. However, due to the characteristics of complex edges, cumbersome details and diverse types of embroidery patterns, traditional image segmentation methods are difficult to meet the requirements of high precision and high efficiency in practical applications. So, this paper presents a dual-stage embroidery pattern recognition and segmentation method based on a YOLO and U-Net cascade. In the first stage, the YOLO algorithm is employed for object detection, quickly and accurately locating the embroidery patterns within the image. In the second stage, an enhanced U-Net algorithm is used for semantic segmentation. The U-Net encoder structure is improved by incorporating a ResBlock-CBAM module as the backbone, enhancing the effectiveness of feature extraction, and integrating an ASPP module for feature enhancement to ensure effective extraction and fusion of various features. This dual-stage cascade network captures the fine details and contextual information of embroidery images, enabling precise segmentation that preserves complex edges and details. The experimental results show that the algorithm in this study reaches 0.8584 and 0.8376 in the evaluation indicators such as Dice and MioU, respectively, and the accuracy rate reaches 84.53%, which is significantly better than other advanced segmentation algorithms. At the same time, this paper establishes an "embroidery intelligent recognition and segmentation" system to achieve efficient and automatic extraction and processing of embroidery patterns. This method not only provides technical support for the digital preservation and transmission of embroidery patterns, but also paves the way for the modernization and customization of embroidery design.

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    Towards Digital Accessibility: Concepts, Standards and Pathways
    Huang Wenhan, LiuChenxi, CaiZhuoxi, Zheng Jiaqi, Zhang Zhejun
    Digital Humanities Research    2025, 5 (1): 114-128.  
    Abstract341)      PDF(pc) (2330KB)(257)       Save

    By exploring the concept of digital accessibility and tracing the evolution of the construction of accessible environments at home and abroad, the study proposes a normative path for safeguarding the rights of persons with disabilities in the digital era. The traditional concept of accessibility construction focuses on specialization and particularization, which corresponds to the risk of forming a relatively closed "data greenhouse" or "digital island". The core of creating digital accessibility lies in deeply embedding “universal design” and “standardized standards” into the construction of accessible environments, thereby breaking away from the shallow logic of information accessibility and enhancing the level of digital humanistic care for people with disabilities. To uphold the constitutional principle of "respecting and safeguarding human rights, " it is essential to make full use of the rapid generative capabilities and precise perceived services of artificial intelligence in the future. Furthermore, it is necessary to prospectively establish legal and technical norms to gradually popularize accessibility options or preset supporting tools in mainstream products and public services, to ultimately realize the comprehensive transformation of information accessibility into digital accessibility.

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    "Integration of Arts and Sciences: Digital Humanities in the Age of AGI”—A Review of the 6th China Digital Humanities Annual Conference (CDH2024)

    LiJiayi, LiXiang, Ma Xiaoke, HuHaotian, Wang Lihua
    Digital Humanities Research    2025, 5 (1): 11-29.  
    Abstract338)      PDF(pc) (2293KB)(433)       Save

    This article systematically reviews and summarizes the proceedings of the academic symposium “Integration of Humanities and Digital Technology: Digital Humanities in the AGI Era” and the 6th China Digital Humanities Annual Conference(CDH2024). It provides an overview of the conference through its keynote speeches, roundtable forums, parallel sessions, press conference, and award—winning projects. By revisiting the core discussions and innovations presented at the2024 conference, this review highlights the current developments and emerging trends in Digital Humanities, while offering critical insights and practical references for researchers and practitioners in related fields.

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    Digital Humanities and Digital Publishing: An Analytical Framework and Integration Mechanisms

    Hu Yunyi
    Digital Humanities Research    2025, 5 (2): 3-15.  
    Abstract288)      PDF(pc) (1245KB)(1869)       Save
    Digital Humanities and Digital Publishing: An Analytical Framework and Integration Mechanisms The rapid development of digital technologies has profoundly impacted the research and practice of both Digital Humanities (DH) and Digital Publishing (DP). This article aims to systematically explore the relationship between these two fields, their mechanisms for deep integration, and the new paradigms emerging from their convergence. Adopting a broad definition of digital publishing, the paper first illustrates how the unique disciplinary stance and values of DH provide a distinctive theoretical lens for examining DP. Based on this, it constructs and applies a four-dimensional analytical framework—encompassing "characteristics/features,""roles/functions,""methods/forms," and "processes/workflows"—to systematically reveal the integration pathways and interactive mechanisms between the two in areas such as content production, dissemination forms, knowledge organization, and ethical regulation. The explanatory power of this framework is further validated through case studies in academic publishing, cultural heritage preservation, and educational popularization, identifying "publishing-ization" as a key mechanism for transforming DH outcomes into DP products. The study concludes that the fusion of DH and DP signifies a fundamental shift from the delivery of traditional, static knowledge products to the evolution of a dynamic, open knowledge circulation network involving multiple participants. While their integrated development faces challenges in technology, talent, and copyright ethics, it also holds significant opportunities driven by policy and market forces. This research offers a systematic analytical framework to deepen the theoretical understanding and practical advancement of both digital humanities and digital publishing.
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    A Study on Wuzhi Xuanbu of Fujian in the Perspective of  Digital Humanities: Based on DocuSky Metadata Attachment Tool
    Zhou Yuxiang
    Digital Humanities Research    2025, 5 (1): 97-113.  
    Abstract263)      PDF(pc) (2780KB)(98)       Save
    Previous research on military officers of the Wei-so in Fujian during the Ming dynasty lack comprehensiveness.Utilizing the DocuSky Metadata Attachment Tool, researchers can transform pure text historical materials into metadata.This study reveals that military deployment was frequent during the Hongwu and Yongle eras, resulting a higher number of southern officers compared to their northern counterparts within the Wei-so in Fujian. Southern military officials were predominantly founding heroes of the Ming dynasty, while those from the north often rose to prominence due to the Jingnan Campaign, occupying higher military positions within the garrisons. Furthermore, most of Fujian garrison officials were camp followers and submitters, while drafted soldiers were not the main part.Given Fujian's strategic location along the southeast coast, its garrisons primarily concentrated on anti-piracy and defense operations, leading to heavy military service and limited promotion opportunities for local officials.The application of the DocuSky introduces innovative tools for studying of the “partial resume” of garrison officials, thereby enriching research on Wuzhi Xuanbu.
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    Recognition of Chu Dynasty characters in Warring States based on Deep Ensemble Learning
    Chen Chao, Li Hezi, Yang Zekun
    Digital Humanities Research    2025, 5 (2): 45-58.  
    Abstract243)      PDF(pc) (5188KB)(181)       Save

    As an important writing material, the interpretation of Chu Jian and silk has always been the key research direction of ancient philology. However, at present, the Chu system of bamboo and silk text interpretation mainly relies on artificial means to analyze the single character form, and there is a lack of computer vision technology for font recognition of massive text plates. Aiming at the difficulty of image recognition of a large number of Chu script and silk text, this paper proposes an integrated learning strategy based on image classification method for Chu script and silk text, which is not limited to the microscopic perspective of single deep neural network model and single text image analysis, combined with the inherent characteristics of Chu script and silk text. Different deep learning networks were used to extract the common morphological features of Chu Jian and silk text images, and the final classification results were obtained in the form of voting, and a technical framework for automatic and efficient recognition of massive Chu Jian and silk text images was constructed. The framework is applied to recognize the text images in some unearthed silk materials with an accuracy of 96.72% ,which fully proves the feasibility and effectiveness of the framework and provides a new way for the study of ancient Chinese characters.

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    Computer Historical Game Civilization VII and Tripartite Periodization on Human Civilization History
    Pang Hao
    Digital Humanities Research    2025, 5 (2): 16-30.  
    Abstract235)      PDF(pc) (5315KB)(167)       Save
    The 2025 historical game Civilization VII abandoned the traditional periodization model of human civilization history used in previous installments of the Civilization series, opting instead for a triad historical division: the "Classical Age," the "Age of Exploration," and the "Modern Age." This shift presents an opportunity to delve deeper into the nature of triad historical periodization. By examining how researchers and historical game designers employ, reject, or modify triad periodization, the article demonstrates that while the traditional triad of "Ancient," "Medieval," and "Modern" is no longer dominant, other forms of triad historical periodization remain vibrant. This vitality stems from the fact that triad periodization is more concise, flexible, and grounded in a shared understanding among both scholars and general public. Additionally, with the gradual rise of "historical game studies," questions such as how to study historical games and why they should be studied have become important academic topics. The article argues that research on historical games can be integrated into the study of historiography, fostering greater dialogue and interaction with historical scholarship.
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    Matching Computational Analysis and Human Experience: Performative Arts and the Digital Humanities

    Jan Hendrik Bakels, Matthias Grotkopp, Thomas Scherer, Jasper Stratil, Trans. Zhang Jiaming, Chen Dongrui
    Digital Humanities Research    2025, 5 (2): 59-87.  
    Abstract229)      PDF(pc) (3466KB)(1146)       Save

    This article presents a framework that reconciles the requirements of computational methods with a qualitative, phenomenological approach to the analysis of audiovisual media. In its temporality and multimodality we treat audiovisual media as exemplary with regard to the wider field of performative arts and their analysis in digital humanities approaches. First, we argue in favor of grounding digital methodology explicitly in scholarly, theoretical approaches to the human experience of performative arts and outline a qualitative approach to compositional patterns and dynamics of affect in audio-visual media. To demonstrate this approach, an exemplary scene analysis highlights the specifics of analyzing experiential qualities based on micro -level descriptions of compositional structures. Eventually, the main body of the article spells out three central challenges with regard to this use of computational tools:1.) recasting common film analytical vocabulary into a machine readable semantic ontology; 2.) setting up a systematic and applicable annotation routine that is based on the developed semantic ontology and allows for the interpersonal and consistent description of larger corpora; 3.) developing visualizations and query tools that enable the identification and tracing of compositional patterns within complex sets of annotation data. The article concludes by demonstrating the benefits of visualized annotation data by taking up the exemplary analysis sketched out earlier and, ultimately, reflects upon the implications of the outlined AdA filmontology as a programmatic starting point to addressing intersubjective bases of experience in the wider field of digital humanities.

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    “Minna de Honkoku”: A Crowdsourced Transcription Platform for Premodern Japanese Materials Based on Collaborative Learning
    Yuta Hashimoto, Junzo Omura, Yasuyuki Kano, Ichiro Nakanishi, Miki Hamano, Trans. Jiang Hui
    Digital Humanities Research    2025, 5 (2): 88-109.  
    Abstract217)      PDF(pc) (3031KB)(482)       Save

    This paper introduces Minna de Honkoku, a citizen-participation-based transcription platform for premodern Japanese materials. Initially launched in 2017 as a collaborative transcription project for historical earthquake records, the platform was significantly updated in 2019 and expanded to cover a broader range of Japanese historical sources. Since the transcription of such materials requires deciphering kuzushiji (cursive script), Minna de Honkoku incorporates into its system design a learning process in which participants collaboratively acquire the skills needed for deciphering. This approach enables wide participation, sustains motivation, and enhances participants' skills. In addition, the system offers AI based support tools capable of automatically recognizing characters at the individual character or image level to assist with deciphering difficult kuzushiji. As of the current version, approximately 4,100 users have contributed to the transcription of over 2,300 items, totaling more than 41 million characters.

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    The Development and Enlightenment of Digital Humanities Summer Courses in European Universities
    Wang Sijie
    Digital Humanities Research    2025, 5 (2): 110-122.  
    Abstract198)      PDF(pc) (1244KB)(476)       Save
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    Prompt Engineering and Human-AI Collaboration Strategies with Large Language Models for the Analysis of Oral History Texts

    Ma Linqing, ShiJiaqi, Cao Xingyu
    Digital Humanities Research    2025, 5 (3): 41-60.  
    Abstract191)      PDF(pc) (4140KB)(61)       Save

    Historical inquiry has long relied on official archives and elite writings, often marginalizing individual memories. Oral history offers a distinctive window onto overlooked social life and personal recollection; however, its non-standardized, highly context-dependent, and multi-layered textual characteristics pose challenges for structured information extraction and systematic analysis. Using oral history texts concerning ration coupons as a case study, this research explores and validates a human-AI collaboration methodology that “disciplines” large language models(LLMs) into scholarly assistants capable of strict instruction following. We design a progressive four-stage experiment—basic instructions, rule-based instructions, programmatic constraints, and few-shot learning—to iteratively optimize how to leverage LLMs, semantic understanding and instruction-following capabilities for efficient and precise structured information extraction. The findings show that the maturity of prompt engineering substantially affects output quality, and that carefully designed programmatic constraints can markedly improve the accuracy of LLM-based analyses. We further compare LLMs optimized for different tasks within a common technical framework, documenting variation in logical adherence, confirming the value of few-shot learning while identifying its point of diminishing returns, and revealing inherent limitations of LLMs in tasks requiring exact computation. The study distills an LLM “disciplining” framework for oral history text analysis that incorporates core strategies such as rule-based transduction/normalization and prudent task allocation between humans and models. The framework delivers efficient and accurate structured analysis of oral history texts and offers a reproducible, scalable intelligent research paradigm for digital humanities.

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    Transnational Connections and Barriers in DH: A UK-China Case Study
    Chen Jing, Paul Spence, Trans. Jiang Yunfang, Zheng Xinyi
    Digital Humanities Research    2025, 5 (3): 1-40.  
    Abstract180)      PDF(pc) (11854KB)(28)       Save

    This report presents the findings of a comparative study of the digital humanities landscapes in the UK and China, based on a literature review and 45 in-depth interviews with academics, funders, policy makers, and professionals across the cultural and technological sectors. It offers the first large-scale, qualitative cross-national comparison of DH in these two countries and explores how cultural, institutional, and infrastructural contexts shape digital scholarship in the humanities.

    The research identifies both shared challenges and divergent trajectories in DH development. While the UK has a longer tradition of DH institutionalisation—rooted in academic departments, project-based innovation, and integration with cultural heritage institutions—China’s DH field has grown rapidly in recent years, influenced by national strategies, infrastructural ambitions, and an increasingly interdisciplinary academic environment.

    Key findings include:

    ● Diverse understandings of DH

    UK participants often view DH as experimental, interdisciplinary and practice-based, while Chinese scholars describe a fragmented but rapidly growing field, often shaped by institutional constraints and pragmatic goals.

    ● Funding landscapes

    In the UK, competitive, project-based funding is typical, with expanding support for infrastructure and public engagement. In China, funding is more centralised and strategically aligned with government priorities, especially in cultural heritage and smart technologies.

    ● Infrastructure gaps

    Both Countries face challenges in sustaining digital infrastructure. UK stakeholders emphasise interoperability, diversity, access, and sustainability; Chinese participants focus on uneven development, regional disparities, and data standardisation.

    ● Professional identity and career paths

    UK scholars have greater recognition of DH roles, though career progression for technical staff remains difficult. In China, DH identities are less formalised, and professional pathways are emerging but uncertain.

    ● Collaboration opportunities

    There is strong interest in UK-China collaboration, but barriers include linguistic divides, lack of shared platforms, limited cross-national funding, and epistemic disconnections in research practice.

    The report concludes with strategic recommendations for funders, researchers, universities, and the Galleries, Libraries, Archives and Museums(GLAM) sector to strengthen transnational collaboration, build inclusive infrastructures, support emerging professionals, and foster mutual understanding across the UK and China in the digital humanities.

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    Digital Archaeological Research on the Salt Industry Site of Yanjingxia in Wulong, Chongqing
    Zou Qiushi, Niu Yingbin, Song Haichao
    Digital Humanities Research    2025, 5 (2): 31-44.  
    Abstract178)      PDF(pc) (3448KB)(295)       Save
    The Salt Industry Site of Yanjingxia in Wulong,Chongqing, possesses a rich historical legacy of salt production, which holds substantial significance for the study of ancient handicraft production, regional economy, and social development. This paper provides a detailed account of the digital archaeological practices employed at the site, achieving comprehensive data collection, virtual reconstruction, and spatial analysis through the integrated application of digital technologies such as three-dimensional reconstruction and geographic information systems (GIS). The implementation of digital archaeology has facilitated an in-depth exploration of the historical and cultural significance of the Yanjingxia Salt Industry Site, offering an innovative approach to the preservation, research, and presentation of the salt industry site. Furthermore, it serves as a reference model for the digitization of similar cultural heritage sites.
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    Summary of the Symposium on “Digital Confucian Classics”
    Fang Shuyi
    Digital Humanities Research    2025, 5 (2): 123-128.  
    Abstract161)      PDF(pc) (1119KB)(89)       Save

    On March 9,2025,the symposium on "digital Confucian Classics" was held in Renmin University of China. It was the first in-depth discussion on the development direction of digital Confucian classics studies. Participants engaged in cross-disciplinary dialogue on its connotation, positioning, goals, and development path, for reaching a consensus to advance this work, and outlining its tasks, potential forms, and challenges. It also featured multidisciplinary reflections on the existing digital platforms for ancient books, and proved the significance of constructing a specialized platform for digital Confucian classics studies. It further proposes some preliminary platform construction suggestions, and emphasize that platform design must always be consistent with the demands of humanities research.

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    Summary of the International Symposium on “Cultural Diversity and Digital Humanities”

    Zhou Shubin, Wang Huiru
    Digital Humanities Research    2025, 5 (3): 118-128.  
    Abstract103)      PDF(pc) (1641KB)(27)       Save

    This paper reviews the "Cultural Diversity and Digital Humanities" International Symposium held in Hohhot, China, from July 29 to 30, 2025. The conference was jointly organized by the School of Information Resources Management and the Research Center for Digital Humanities of Renmin University of China, and the Institute of the History of science and technology at Inner Mongolia Normal University. The conference attracted 227 scholars and industry experts from countries and regions including China, Australia, Japan, and Singapore, with 112 papers selected for presentation and 6 projects exhibited. The conference included keynote speeches and six thematic forums, covering topics such as digital literacy and education, science and technology heritage preservation, digitization of ancient books and documents, multimedia communication, cultural industry empowerment, and the construction of national communities. The symposium highlighted the unique characteristics of digital humanities in the fields of technological empowerment and cultural transformation, cultural diversity and social identity, international dialogue, and regional cooperation. It showcased the latest achievements in protecting and innovating cultural diversity through digital humanities and provided a reference for the development trends of China’s digital humanities research in the international context.

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    Chinese Character Standardization in the Digital Age: Examples from the GB 18030—2022 Standard

    Yang Yanhui
    Digital Humanities Research    2025, 5 (3): 107-117.  
    Abstract89)      PDF(pc) (1588KB)(15)       Save

    The mandatory national standard GB 18030-2022 “Information Technology—Chinese Coded Character Set” modified 52 glyphs containing the component “” from“” to“” compared to its previous version. Among these, the 14 characters that overlap with the “General Standard Chinese Characters Table” appear twice in different appendices of this character set, with the same character glyphs inconsistently using either “” or “”, resulting in contradictions. The rationale behind these glyph modifications remains unclear and involves changes in character construction principles, making the revisions debatable. This issue reflects a broader problem in the digital era: the disconnection between fundamental research and practical application in the informatization of Chinese characters and the language, which carry profound cultural connotations. This disjunction directly impacts the continuous inheritance of Chinese cultural heritage, and resolving the issue require stop-level design and long-term planning from a macro perspective.

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    The Thought of li and yue (礼乐) and “Ordered Tianxia”: A Social Network Analysis of War and Alliance in the Pre-Qin International System

    Hou Changkun
    Digital Humanities Research    2025, 5 (3): 90-106.  
    Abstract76)      PDF(pc) (5759KB)(54)       Save

    What kind of distinctive international order existed in the Spring and Autumn and Warring States periods that prevented the phenomenon and practice of “might makes right” and “small states having no diplomacy” from being carried out thoroughly? Mainstream international relations theories, such as hegemonic stability theory and balance-of-power cost arguments, fail to adequately explain this phenomenon in the Pre-Qin era. Alternative theories based on exceptionalism provide partial explanations but lack universality. In this context, this article draws on the Confucian thought of li and yue (propriety and harmony,礼乐) in the Liji to Construct a theoretical branch of Tianxiaism, namely the “Ordered Tianxia” theory, to explain the existence of this distinctive order. At the same time, the study offers implications for contemporary dominant powers and aspiring hegemons in building international order. It argues that certain hegemonic behaviors reflect the ideas of li and yue: propriety and harmony generate order, thereby forming an ordered international system. Li Constrains the behavior of states such that great powers protect small states, small states support great powers, and both respect one another. Methodologically, this research applies social network analysis to examine the war and alliance networks of the Pre-Qin international system and conducts case comparisons of Duke Huan of Qi and Duke Wen of Jin. The findings Confirm that the phenomenon of “Ordered Tianxia” did exist and functioned in shaping the international order of that era.

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    An On-site Research of DuFu’s Poem “Felling Trees in Huo Jing Arousing Shrieking of Apes”: The GIS Digital Platform on Forts and Postal Ways in Qiong Ya, Jian Nan Dao
    JianJinsong, Liao Xuanmin, Wang Yong, LinXiaoyun, Zheng Tengyao
    Digital Humanities Research    2025, 5 (3): 61-89.  
    Abstract70)      PDF(pc) (10707KB)(12)       Save

    In Du Fu’s poem Ru Zou Hang Zeng Xi Shan Jian Cha Shi Dou ShiYu (入奏行赠西山检察使窦侍御) exists the line “Felling Trees in Huo Jing Arousing Shrieking of Apes” (斩木火井穷猿呼).It reflects his concern for the defense of QiongZhou (邛州) and YaZhou (雅州) in Jian’nan Dao (剑南道). Similarly, he also mentions “The smoke of war spreads out into HuoJing” (烟尘侵火井)in his poem Xi Shan San Shou (西山三首), further revealing his anxiety about regional security of QiongZhou and YaZhou.

    From the perspective of satellite imagery, I examine the crisscrossing ridgelines of the Western Mountains in Jian’nan, which often reach heights of up to 5,000 meters. These imposing natural barriers entirely surround and block potential Tibetan (吐蕃) incursions into QiongZhou (邛州) and YaZhou (雅州) via this route. Interestingly, Du Fu never visited QiongZhou or YaZhou himself. How should we interpret his concern for their defense in the context of the Tang-Tibetan conflicts?

    Using digital methods, this study reconstructs three major transportation routes: the road from Chengdu (成都) to DaJianlu (打箭炉), the route from Chengdu through WenChuan County (汶川县) via the resplendent Banlan Balang Mountain Pass (斑斓巴朗山垭口), and the ancient Lingguan Post Road (灵关古驿路) as recorded in Yuanhe Gazetteer of Prefectures and Counties (元和郡县图志). These roads are presented through detailed data and visualization, offering readers a factual basis to evaluate the plausibility of Tibetan incursions into the Qiong and Ya regions.

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