Most Read articles

    Published in last 1 year |  In last 2 years |  In last 3 years |  All

    All
    Please wait a minute...
    For Selected: Toggle Thumbnails
    Recognition of Chu Dynasty characters in Warring States based on Deep Ensemble Learning
    Chen Chao, Li Hezi, Yang Zekun
    Digital Humanities Research    2025, 5 (2): 45-58.  
    Abstract529)      PDF(pc) (5188KB)(333)       Save

    As an important writing material, the interpretation of Chu Jian and silk has always been the key research direction of ancient philology. However, at present, the Chu system of bamboo and silk text interpretation mainly relies on artificial means to analyze the single character form, and there is a lack of computer vision technology for font recognition of massive text plates. Aiming at the difficulty of image recognition of a large number of Chu script and silk text, this paper proposes an integrated learning strategy based on image classification method for Chu script and silk text, which is not limited to the microscopic perspective of single deep neural network model and single text image analysis, combined with the inherent characteristics of Chu script and silk text. Different deep learning networks were used to extract the common morphological features of Chu Jian and silk text images, and the final classification results were obtained in the form of voting, and a technical framework for automatic and efficient recognition of massive Chu Jian and silk text images was constructed. The framework is applied to recognize the text images in some unearthed silk materials with an accuracy of 96.72% ,which fully proves the feasibility and effectiveness of the framework and provides a new way for the study of ancient Chinese characters.

    Related Articles | Metrics | Comments0

    Digital Humanities and Digital Publishing: An Analytical Framework and Integration Mechanisms

    Hu Yunyi
    Digital Humanities Research    2025, 5 (2): 3-15.  
    Abstract467)      PDF(pc) (1245KB)(2611)       Save
    Digital Humanities and Digital Publishing: An Analytical Framework and Integration Mechanisms The rapid development of digital technologies has profoundly impacted the research and practice of both Digital Humanities (DH) and Digital Publishing (DP). This article aims to systematically explore the relationship between these two fields, their mechanisms for deep integration, and the new paradigms emerging from their convergence. Adopting a broad definition of digital publishing, the paper first illustrates how the unique disciplinary stance and values of DH provide a distinctive theoretical lens for examining DP. Based on this, it constructs and applies a four-dimensional analytical framework—encompassing "characteristics/features,""roles/functions,""methods/forms," and "processes/workflows"—to systematically reveal the integration pathways and interactive mechanisms between the two in areas such as content production, dissemination forms, knowledge organization, and ethical regulation. The explanatory power of this framework is further validated through case studies in academic publishing, cultural heritage preservation, and educational popularization, identifying "publishing-ization" as a key mechanism for transforming DH outcomes into DP products. The study concludes that the fusion of DH and DP signifies a fundamental shift from the delivery of traditional, static knowledge products to the evolution of a dynamic, open knowledge circulation network involving multiple participants. While their integrated development faces challenges in technology, talent, and copyright ethics, it also holds significant opportunities driven by policy and market forces. This research offers a systematic analytical framework to deepen the theoretical understanding and practical advancement of both digital humanities and digital publishing.
    Related Articles | Metrics | Comments0

    Prompt Engineering and Human-AI Collaboration Strategies with Large Language Models for the Analysis of Oral History Texts

    Ma Linqing, ShiJiaqi, Cao Xingyu
    Digital Humanities Research    2025, 5 (3): 41-60.  
    Abstract442)      PDF(pc) (4140KB)(261)       Save

    Historical inquiry has long relied on official archives and elite writings, often marginalizing individual memories. Oral history offers a distinctive window onto overlooked social life and personal recollection; however, its non-standardized, highly context-dependent, and multi-layered textual characteristics pose challenges for structured information extraction and systematic analysis. Using oral history texts concerning ration coupons as a case study, this research explores and validates a human-AI collaboration methodology that “disciplines” large language models(LLMs) into scholarly assistants capable of strict instruction following. We design a progressive four-stage experiment—basic instructions, rule-based instructions, programmatic constraints, and few-shot learning—to iteratively optimize how to leverage LLMs, semantic understanding and instruction-following capabilities for efficient and precise structured information extraction. The findings show that the maturity of prompt engineering substantially affects output quality, and that carefully designed programmatic constraints can markedly improve the accuracy of LLM-based analyses. We further compare LLMs optimized for different tasks within a common technical framework, documenting variation in logical adherence, confirming the value of few-shot learning while identifying its point of diminishing returns, and revealing inherent limitations of LLMs in tasks requiring exact computation. The study distills an LLM “disciplining” framework for oral history text analysis that incorporates core strategies such as rule-based transduction/normalization and prudent task allocation between humans and models. The framework delivers efficient and accurate structured analysis of oral history texts and offers a reproducible, scalable intelligent research paradigm for digital humanities.

    Related Articles | Metrics | Comments0
    Computer Historical Game Civilization VII and Tripartite Periodization on Human Civilization History
    Pang Hao
    Digital Humanities Research    2025, 5 (2): 16-30.  
    Abstract357)      PDF(pc) (5315KB)(719)       Save
    The 2025 historical game Civilization VII abandoned the traditional periodization model of human civilization history used in previous installments of the Civilization series, opting instead for a triad historical division: the "Classical Age," the "Age of Exploration," and the "Modern Age." This shift presents an opportunity to delve deeper into the nature of triad historical periodization. By examining how researchers and historical game designers employ, reject, or modify triad periodization, the article demonstrates that while the traditional triad of "Ancient," "Medieval," and "Modern" is no longer dominant, other forms of triad historical periodization remain vibrant. This vitality stems from the fact that triad periodization is more concise, flexible, and grounded in a shared understanding among both scholars and general public. Additionally, with the gradual rise of "historical game studies," questions such as how to study historical games and why they should be studied have become important academic topics. The article argues that research on historical games can be integrated into the study of historiography, fostering greater dialogue and interaction with historical scholarship.
    Related Articles | Metrics | Comments0

    Matching Computational Analysis and Human Experience: Performative Arts and the Digital Humanities

    Jan Hendrik Bakels, Matthias Grotkopp, Thomas Scherer, Jasper Stratil, Trans. Zhang Jiaming, Chen Dongrui
    Digital Humanities Research    2025, 5 (2): 59-87.  
    Abstract350)      PDF(pc) (3466KB)(2435)       Save

    This article presents a framework that reconciles the requirements of computational methods with a qualitative, phenomenological approach to the analysis of audiovisual media. In its temporality and multimodality we treat audiovisual media as exemplary with regard to the wider field of performative arts and their analysis in digital humanities approaches. First, we argue in favor of grounding digital methodology explicitly in scholarly, theoretical approaches to the human experience of performative arts and outline a qualitative approach to compositional patterns and dynamics of affect in audio-visual media. To demonstrate this approach, an exemplary scene analysis highlights the specifics of analyzing experiential qualities based on micro -level descriptions of compositional structures. Eventually, the main body of the article spells out three central challenges with regard to this use of computational tools:1.) recasting common film analytical vocabulary into a machine readable semantic ontology; 2.) setting up a systematic and applicable annotation routine that is based on the developed semantic ontology and allows for the interpersonal and consistent description of larger corpora; 3.) developing visualizations and query tools that enable the identification and tracing of compositional patterns within complex sets of annotation data. The article concludes by demonstrating the benefits of visualized annotation data by taking up the exemplary analysis sketched out earlier and, ultimately, reflects upon the implications of the outlined AdA filmontology as a programmatic starting point to addressing intersubjective bases of experience in the wider field of digital humanities.

    Related Articles | Metrics | Comments0
    “Minna de Honkoku”: A Crowdsourced Transcription Platform for Premodern Japanese Materials Based on Collaborative Learning
    Yuta Hashimoto, Junzo Omura, Yasuyuki Kano, Ichiro Nakanishi, Miki Hamano, Trans. Jiang Hui
    Digital Humanities Research    2025, 5 (2): 88-109.  
    Abstract337)      PDF(pc) (3031KB)(735)       Save

    This paper introduces Minna de Honkoku, a citizen-participation-based transcription platform for premodern Japanese materials. Initially launched in 2017 as a collaborative transcription project for historical earthquake records, the platform was significantly updated in 2019 and expanded to cover a broader range of Japanese historical sources. Since the transcription of such materials requires deciphering kuzushiji (cursive script), Minna de Honkoku incorporates into its system design a learning process in which participants collaboratively acquire the skills needed for deciphering. This approach enables wide participation, sustains motivation, and enhances participants' skills. In addition, the system offers AI based support tools capable of automatically recognizing characters at the individual character or image level to assist with deciphering difficult kuzushiji. As of the current version, approximately 4,100 users have contributed to the transcription of over 2,300 items, totaling more than 41 million characters.

    Related Articles | Metrics | Comments0
    Transnational Connections and Barriers in DH: A UK-China Case Study
    Chen Jing, Paul Spence, Trans. Jiang Yunfang, Zheng Xinyi
    Digital Humanities Research    2025, 5 (3): 1-40.  
    Abstract320)      PDF(pc) (11854KB)(150)       Save

    This report presents the findings of a comparative study of the digital humanities landscapes in the UK and China, based on a literature review and 45 in-depth interviews with academics, funders, policy makers, and professionals across the cultural and technological sectors. It offers the first large-scale, qualitative cross-national comparison of DH in these two countries and explores how cultural, institutional, and infrastructural contexts shape digital scholarship in the humanities.

    The research identifies both shared challenges and divergent trajectories in DH development. While the UK has a longer tradition of DH institutionalisation—rooted in academic departments, project-based innovation, and integration with cultural heritage institutions—China’s DH field has grown rapidly in recent years, influenced by national strategies, infrastructural ambitions, and an increasingly interdisciplinary academic environment.

    Key findings include:

    ● Diverse understandings of DH

    UK participants often view DH as experimental, interdisciplinary and practice-based, while Chinese scholars describe a fragmented but rapidly growing field, often shaped by institutional constraints and pragmatic goals.

    ● Funding landscapes

    In the UK, competitive, project-based funding is typical, with expanding support for infrastructure and public engagement. In China, funding is more centralised and strategically aligned with government priorities, especially in cultural heritage and smart technologies.

    ● Infrastructure gaps

    Both Countries face challenges in sustaining digital infrastructure. UK stakeholders emphasise interoperability, diversity, access, and sustainability; Chinese participants focus on uneven development, regional disparities, and data standardisation.

    ● Professional identity and career paths

    UK scholars have greater recognition of DH roles, though career progression for technical staff remains difficult. In China, DH identities are less formalised, and professional pathways are emerging but uncertain.

    ● Collaboration opportunities

    There is strong interest in UK-China collaboration, but barriers include linguistic divides, lack of shared platforms, limited cross-national funding, and epistemic disconnections in research practice.

    The report concludes with strategic recommendations for funders, researchers, universities, and the Galleries, Libraries, Archives and Museums(GLAM) sector to strengthen transnational collaboration, build inclusive infrastructures, support emerging professionals, and foster mutual understanding across the UK and China in the digital humanities.

    Related Articles | Metrics | Comments0
    The Development and Enlightenment of Digital Humanities Summer Courses in European Universities
    Wang Sijie
    Digital Humanities Research    2025, 5 (2): 110-122.  
    Abstract298)      PDF(pc) (1244KB)(944)       Save
    Related Articles | Metrics | Comments0
    Digital Archaeological Research on the Salt Industry Site of Yanjingxia in Wulong, Chongqing
    Zou Qiushi, Niu Yingbin, Song Haichao
    Digital Humanities Research    2025, 5 (2): 31-44.  
    Abstract273)      PDF(pc) (3448KB)(600)       Save
    The Salt Industry Site of Yanjingxia in Wulong,Chongqing, possesses a rich historical legacy of salt production, which holds substantial significance for the study of ancient handicraft production, regional economy, and social development. This paper provides a detailed account of the digital archaeological practices employed at the site, achieving comprehensive data collection, virtual reconstruction, and spatial analysis through the integrated application of digital technologies such as three-dimensional reconstruction and geographic information systems (GIS). The implementation of digital archaeology has facilitated an in-depth exploration of the historical and cultural significance of the Yanjingxia Salt Industry Site, offering an innovative approach to the preservation, research, and presentation of the salt industry site. Furthermore, it serves as a reference model for the digitization of similar cultural heritage sites.
    Related Articles | Metrics | Comments0

    Chinese Character Standardization in the Digital Age: Examples from the GB 18030—2022 Standard

    Yang Yanhui
    Digital Humanities Research    2025, 5 (3): 107-117.  
    Abstract268)      PDF(pc) (1588KB)(113)       Save

    The mandatory national standard GB 18030-2022 “Information Technology—Chinese Coded Character Set” modified 52 glyphs containing the component “” from“” to“” compared to its previous version. Among these, the 14 characters that overlap with the “General Standard Chinese Characters Table” appear twice in different appendices of this character set, with the same character glyphs inconsistently using either “” or “”, resulting in contradictions. The rationale behind these glyph modifications remains unclear and involves changes in character construction principles, making the revisions debatable. This issue reflects a broader problem in the digital era: the disconnection between fundamental research and practical application in the informatization of Chinese characters and the language, which carry profound cultural connotations. This disjunction directly impacts the continuous inheritance of Chinese cultural heritage, and resolving the issue require stop-level design and long-term planning from a macro perspective.

    Related Articles | Metrics | Comments0
    Summary of the Symposium on “Digital Confucian Classics”
    Fang Shuyi
    Digital Humanities Research    2025, 5 (2): 123-128.  
    Abstract264)      PDF(pc) (1119KB)(398)       Save

    On March 9,2025,the symposium on "digital Confucian Classics" was held in Renmin University of China. It was the first in-depth discussion on the development direction of digital Confucian classics studies. Participants engaged in cross-disciplinary dialogue on its connotation, positioning, goals, and development path, for reaching a consensus to advance this work, and outlining its tasks, potential forms, and challenges. It also featured multidisciplinary reflections on the existing digital platforms for ancient books, and proved the significance of constructing a specialized platform for digital Confucian classics studies. It further proposes some preliminary platform construction suggestions, and emphasize that platform design must always be consistent with the demands of humanities research.

    Related Articles | Metrics | Comments0

    Summary of the International Symposium on “Cultural Diversity and Digital Humanities”

    Zhou Shubin, Wang Huiru
    Digital Humanities Research    2025, 5 (3): 118-128.  
    Abstract225)      PDF(pc) (1641KB)(173)       Save

    This paper reviews the "Cultural Diversity and Digital Humanities" International Symposium held in Hohhot, China, from July 29 to 30, 2025. The conference was jointly organized by the School of Information Resources Management and the Research Center for Digital Humanities of Renmin University of China, and the Institute of the History of science and technology at Inner Mongolia Normal University. The conference attracted 227 scholars and industry experts from countries and regions including China, Australia, Japan, and Singapore, with 112 papers selected for presentation and 6 projects exhibited. The conference included keynote speeches and six thematic forums, covering topics such as digital literacy and education, science and technology heritage preservation, digitization of ancient books and documents, multimedia communication, cultural industry empowerment, and the construction of national communities. The symposium highlighted the unique characteristics of digital humanities in the fields of technological empowerment and cultural transformation, cultural diversity and social identity, international dialogue, and regional cooperation. It showcased the latest achievements in protecting and innovating cultural diversity through digital humanities and provided a reference for the development trends of China’s digital humanities research in the international context.

    Related Articles | Metrics | Comments0

    The Thought of li and yue (礼乐) and “Ordered Tianxia”: A Social Network Analysis of War and Alliance in the Pre-Qin International System

    Hou Changkun
    Digital Humanities Research    2025, 5 (3): 90-106.  
    Abstract191)      PDF(pc) (5759KB)(196)       Save

    What kind of distinctive international order existed in the Spring and Autumn and Warring States periods that prevented the phenomenon and practice of “might makes right” and “small states having no diplomacy” from being carried out thoroughly? Mainstream international relations theories, such as hegemonic stability theory and balance-of-power cost arguments, fail to adequately explain this phenomenon in the Pre-Qin era. Alternative theories based on exceptionalism provide partial explanations but lack universality. In this context, this article draws on the Confucian thought of li and yue (propriety and harmony,礼乐) in the Liji to Construct a theoretical branch of Tianxiaism, namely the “Ordered Tianxia” theory, to explain the existence of this distinctive order. At the same time, the study offers implications for contemporary dominant powers and aspiring hegemons in building international order. It argues that certain hegemonic behaviors reflect the ideas of li and yue: propriety and harmony generate order, thereby forming an ordered international system. Li Constrains the behavior of states such that great powers protect small states, small states support great powers, and both respect one another. Methodologically, this research applies social network analysis to examine the war and alliance networks of the Pre-Qin international system and conducts case comparisons of Duke Huan of Qi and Duke Wen of Jin. The findings Confirm that the phenomenon of “Ordered Tianxia” did exist and functioned in shaping the international order of that era.

    Related Articles | Metrics | Comments0
    An On-site Research of DuFu’s Poem “Felling Trees in Huo Jing Arousing Shrieking of Apes”: The GIS Digital Platform on Forts and Postal Ways in Qiong Ya, Jian Nan Dao
    JianJinsong, Liao Xuanmin, Wang Yong, LinXiaoyun, Zheng Tengyao
    Digital Humanities Research    2025, 5 (3): 61-89.  
    Abstract179)      PDF(pc) (10707KB)(103)       Save

    In Du Fu’s poem Ru Zou Hang Zeng Xi Shan Jian Cha Shi Dou ShiYu (入奏行赠西山检察使窦侍御) exists the line “Felling Trees in Huo Jing Arousing Shrieking of Apes” (斩木火井穷猿呼).It reflects his concern for the defense of QiongZhou (邛州) and YaZhou (雅州) in Jian’nan Dao (剑南道). Similarly, he also mentions “The smoke of war spreads out into HuoJing” (烟尘侵火井)in his poem Xi Shan San Shou (西山三首), further revealing his anxiety about regional security of QiongZhou and YaZhou.

    From the perspective of satellite imagery, I examine the crisscrossing ridgelines of the Western Mountains in Jian’nan, which often reach heights of up to 5,000 meters. These imposing natural barriers entirely surround and block potential Tibetan (吐蕃) incursions into QiongZhou (邛州) and YaZhou (雅州) via this route. Interestingly, Du Fu never visited QiongZhou or YaZhou himself. How should we interpret his concern for their defense in the context of the Tang-Tibetan conflicts?

    Using digital methods, this study reconstructs three major transportation routes: the road from Chengdu (成都) to DaJianlu (打箭炉), the route from Chengdu through WenChuan County (汶川县) via the resplendent Banlan Balang Mountain Pass (斑斓巴朗山垭口), and the ancient Lingguan Post Road (灵关古驿路) as recorded in Yuanhe Gazetteer of Prefectures and Counties (元和郡县图志). These roads are presented through detailed data and visualization, offering readers a factual basis to evaluate the plausibility of Tibetan incursions into the Qiong and Ya regions.

    Related Articles | Metrics | Comments0
    Constructing an Independent Knowledge System for Chinese Digital Humanities from the Perspective of Sovereign AI
    Liu Wei, Liu Shengying, Jin Jiaqin, Shan Rongrong
    Digital Humanities Research    2025, 5 (4): 3-16.  
    Abstract65)      PDF(pc) (2031KB)(53)       Save
    In the context of intensifying global technological competition and the emergence of "Sovereign AI" as a national strategic priority, the development of an autonomous knowledge system has become a central issue in safeguarding national digital sovereignty and cultural security. This paper systematically explores the urgency, theoretical foundations, and practical paths for building China's digital humanities autonomous knowledge system. It first examines the meaning of "Sovereign AI" in terms of technological control and cultural and semantic dimensions, analyzing its role in countering "digital colonialism." Building on this, the paper introduces Professor Duan Yucong's theory of "semantic sovereignty" and the DIKWP (Data-Information-Knowledge-Wisdom-Purpose) model as the core theoretical framework, arguing that the construction of an autonomous knowledge system in China must involve deep leadership over both the content and value intentions of knowledge. By analyzing key cases such as the China Academic World platform, the Shidian Ancient Books platform by ByteDance and Peking University, and the ICH-Qwen large language model, the paper reveals a construction path that integrates top-level design, technological empowerment, and paradigm innovation. The research indicates that China's digital humanities autonomous knowledge system is built on the Sovereign AI strategy, with semantic sovereignty as the core, using digital platforms and intelligent tools to achieve data autonomy, knowledge innovation, and value guidance. Finally, the paper reflects on potential challenges such as the "sovereignty trap" and envisions the future of an open, confident, and globally influential Chinese digital humanities academic community.
    Related Articles | Metrics | Comments0
    Artificial Intelligence's Involvement in the Path of Film Criticism: “Non-human” Interpretation, Algorithmic Illusion and Platform Orientation
    Song Wei
    Digital Humanities Research    2025, 5 (4): 118-128.  
    Abstract46)      PDF(pc) (1737KB)(37)       Save
    In the era of cultural production increasingly shaped by artificial intelligence, big data and algorithmic logics have become deeply embedded in the fabric of film-criticism practices. Within this process,“AI distant viewing” conducted under the framework of computational film studies, together with algorithm-driven computational understanding and generative criticism,does not in fact construct a complete chain of “viewing-interpretation-critique. ” Instead, it tends to produce a de-aestheticized and de-experiential “meaning-vacuum” form of approximation. At the same time, platform-oriented aggregation and recommendation based on probabilistic statistics merely fabricate a service-oriented feedback mechanism that resembles criticism and appears to generate critical efficacy,while its essence lies in a field of homogenized opinion reproduction governed by algorithmic preset rules. The transformation of film criticism in the age of AI is therefore not a paradigmatic overhaul but a path-dependent intervention that introduces heterogeneous forces into processes of viewing,interpretation, and dissemination,  thereby exerting multidimensional infiltration, redirection, and structural constriction upon existing critical paradigms.
    Related Articles | Metrics | Comments0
    Construction and Application of the Knowledge Base for Duan Yucai's Shuowen Jiezi Zhu
    Shen Xiaoni, Peng Weiming, Hu Jiajia
    Digital Humanities Research    2025, 5 (4): 68-83.  
    Abstract44)      PDF(pc) (2662KB)(60)       Save
    Duan Yucai's Shuowen Jiezi Zhu(Annotations on Shuowen Jiezi) stands as the pinnacle of research on Shuowen Jiezi, centrally reflecting the academic achievements of the Qian-Jia School. Currently, digitalization efforts for this work have largely remained at the textualization stage, with limited progress in the in-depth exploration and systematic presentation of its knowledge system. This research constructs a knowledge base using this work and its draft manuscript Shuowen Jiezi Du(Reading Notes on Shuowen Jiezi) as foundational texts. It designs a three-tier classification system encompassing five major knowledge categories, ten knowledge sets, and fifty-six knowledge points, completing the annotation and structured representation of tens of thousands of knowledge instances. An interactive platform featuring original text retrieval, knowledge navigation, and annotation management functions has been developed. This study represents a systematic practice of digital humanities methods in the field of traditional philology,providing crucial references for the in-depth digitization of ancient texts and the innovation of humanistic research paradigms.
    Related Articles | Metrics | Comments0
    An Ambiguous Reference Resolution Method for Party History Literature Integrating Semantic Understanding and Knowledge Graph Reasoning
    Ran Lingyu
    Digital Humanities Research    2025, 5 (4): 84-98.  
    Abstract42)      PDF(pc) (1903KB)(32)       Save
    The intelligent processing of Party history literature faces significant challenges due to the extensive use of pseudonyms,  alternative designations, and complex implicit relationships. This study proposes a multi-strategy semantic understanding and dynamic knowledge graph reasoning-based method for ambiguous reference resolution to address three major challenges in this field: the semantic gap, temporal evolution, and sparse evidence. The method constructs a domain-specific lexicon covering over ten thousand entities and a pseudonym-real name mapping database to incorporate prior knowledge. A domain dictionary-guided negative sample sampling strategy is employed to fine-tune pre-trained language models, enhancing their semantic perception of specific expressions. Finally, a time-constrained graph neural network reasoning algorithm is applied on a self-built temporal knowledge graph to mine implicit relationships and perform consistency verification. Experimental results demonstrate that the proposed method achieves an overall F1 score of 80.6% on authoritative evaluation metrics, significantly outperforming existing baseline models,and effectively uncovers deep historical correlations. The research outcomes have been integrated into a visual prototype system, providing a reliable intelligent tool for Party history research.
    Related Articles | Metrics | Comments0
    Bringing Local Voices to the World: A Seminar on the Glocal Practice of Sound Archives—A Review on Their Creative Reconstruction in Digital Humanities
    Wu Yang, Liu Ying, Wan Zhenyan
    Digital Humanities Research    2025, 5 (4): 21-25.  
    Abstract40)      PDF(pc) (1191KB)(35)       Save
    Sound archives, serving as vital carriers of cultural heritage,present enhanced possibilities—including data storage and migration, cataloguing, annotation, implementation, and dissemination—through the application of digital humanities technologies. This interdisciplinary symposium, “The ‘Glocalisation’ Practices of Sound Archives,” explores the integration of sound archives with digital methods for their preservation,interpretation,and activation. Contributions include Professor Richard Wolf’s reflections on ethnomusicological film as a medium for archiving and contextualizing traditional music; Dr. Xiaoshi Wei’s emphasis on deep description and recontextualisation of private sound collections; Dr. Matthew James’s presentation on the AI-enhanced, globally-oriented “Echo Arc” project for audiovisual archives; and Curator Colin Chinnery(Qin Siyuan)’s discussion on the cultural and technical dimensions of sound collection and exhibition. Together, these case studies illustrate current interdisciplinary innovations and pathways in sound archive research, while underscoring the need for future digital practices to preserve cultural diversity better and ensure that sound is accurately heard, understood, and activated within a globalised framework.
    Related Articles | Metrics | Comments0
    Presenting Folk Sound Documents in Museums
    (Colin Siyuan Chinnery
    Digital Humanities Research    2025, 5 (4): 35-47.  
    Abstract35)      PDF(pc) (17086KB)(30)       Save
    Based on Colin Siyuan Chinnery's report presented at the symposium “The ‘Glocalization’ Practices of Sound Archives,” this article delves into the practical pathways for inheriting and revitalizing folk sound archives with in the museum context. Through the archaeological investigation, observation, salvage, and documentation of sound categories such as “long-vanished sounds,” “ soon-to-disappear sounds,” and “ socially enduring sounds,” it explores how such sound archives can transcend mere documentary preservation via museum narrative techniques. This approach serves as a unique methodology for understanding social transformation and diagnosing cultural ecology, thereby linking individual memory with collective history.
    Related Articles | Metrics | Comments0
    Beyond Digitisation: Recontextualising Sound Archives in China
    Wei Xiaoshi
    Digital Humanities Research    2025, 5 (4): 48-59.  
    Abstract33)      PDF(pc) (8442KB)(28)       Save
    This article examines the paradigm shift in the preservation and study of sound archives in China, particularly those of traditional musics, moving from a focus on technical digitisation towards annotation, documentation, and—in its key concept—recontextualisation. Through multiple case studies—from early wax-cylinder recordings to contemporary field collections—I demonstrate how sound archives can be recontextualised by excavating their narrative, emotional, and cultural dimensions. I argue that sound archives should be treated as living cultural texts, embedded with rich layers of social,historical,and personal meaning. Such an approach reactivates sound as a medium for cultural dialogue, identity negotiation,and interdisciplinary research. Ultimately, the study calls for a more integrated, multimodal methodology in digital humanities—one that engages with sound archives not as isolated artefacts,but as dynamic resources for understanding “where we are” and “who we are.”
    Related Articles | Metrics | Comments0
    Wei Xiaoshi
    Digital Humanities Research    2025, 5 (4): 17-20.  
    Abstract33)      PDF(pc) (11752KB)(38)       Save
    Related Articles | Metrics | Comments0
    The Temporal Dimension of Ethnographic Film: Cases from the Wakhan Corridor and South India
    Richard K.Wolf
    Digital Humanities Research    2025, 5 (4): 26-34.  
    Abstract32)      PDF(pc) (5099KB)(31)       Save
    Based on Richard K. Wolf’s presentation at the symposium “The ‘Glocalisation’ Practices of Sound Archives,” this article delves into the reconstructive practices of archival materials across different temporal dimensions in ethnomusicological film. By comparing the disparities in traditional music archive development across different countries and regions and their resulting realities, it emphasises the core value of field recording archives and systematic metadata documentation. Using two of his own ethnomusicological films as examples, Professor Wolf elaborates on their role in activating and reconstructing sound archive materials. This approach not only enhances the preservation of sound and imagery but also, through re-contextualization, helps communities reflect on and engage with their own history while pondering the relationship between digital technology and cultural heritage.
    Related Articles | Metrics | Comments0
    To Augment, Not Replace: AI Metadata Generation Models for Audiovisual Archives and Cultural Interpretation
    Wei Xiaoshi, Matthew James
    Digital Humanities Research    2025, 5 (4): 60-67.  
    Abstract30)      PDF(pc) (1310KB)(32)       Save
    This article addresses the challenges faced by GLAM institutions in managing sound and audiovisual archives, characterised by exponential digital growth, funding constraints, and a shortage of specialised cataloguing expertise. In response to this “triple dilemma,” we advocate for developing AI-assisted metadata tools designed to augment—not replace—human expertise, thereby shifting focus from digitisation to knowledge organisation and recontextualisation. Through a case study on early 20th-century Chinese quyi(narrative singing) recordings, we demonstrate how a domain-specific AI model—integrated with a Retrieval-Augmented Generation(RAG) architecture and trained on classical texts and expert annotations—enables deeper semantic analysis and culturally sensitive description. Ultimately, we call for collaborative development of such AI systems among ethnomusicologists, archivists, and technologists. This human-in-the-loop approach aims to enhance the global accessibility and interpretability of sound archives while preserving the accuracy and richness of cultural contextualisation.
    Related Articles | Metrics | Comments0
    Exploring the Possibilities of Literary Reception Studies through Quantitative Analysis: A Case Study of Matsuo Bashō’s Reception in the Modern Era
    Hibi Yoshitaka, Jiang Hui
    Digital Humanities Research    2025, 5 (4): 99-117.  
    Abstract26)      PDF(pc) (2906KB)(39)       Save
    This study aims to explore the potential of digital humanities methods in literary history research through a quantitative analysis of the reception of Matsuo Bashō in modern haiku. Utilizing the digital collections of the National Diet Library of Japan, the frequency of citations of Bashō’s haiku in literature from the Meiji to the prewar Shōwa period was statistically analyzed. Additionally, the Jaccard coefficient was employed to conduct a similarity analysis of large-scale haiku collections from the Meiji, Taishō,and prewar Shōwa periods. The research found that Bashō’s influence on haiku gradually declined over time, while the haiku of Masaoka Shiki, known for his criticism of Bashō, exhibited a style closer to Bashō’ s than that of general haiku from the Meiji period. This demonstrates that computer-based quantitative analysis can capture subtle expressive differences that are difficult for humans to detect,extracting the “unconscious rhetoric” of individuals and eras. Digital humanities methods can reveal deep-seated patterns that traditional research struggles to access,providing new pathways for the construction of “digital literary history”.
    Related Articles | Metrics | Comments0