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    Prompt Engineering and Human-AI Collaboration Strategies with Large Language Models for the Analysis of Oral History Texts

    Ma Linqing, ShiJiaqi, Cao Xingyu
    Digital Humanities Research    2025, 5 (3): 41-60.  
    Abstract561)      PDF(pc) (4140KB)(449)       Save

    Historical inquiry has long relied on official archives and elite writings, often marginalizing individual memories. Oral history offers a distinctive window onto overlooked social life and personal recollection; however, its non-standardized, highly context-dependent, and multi-layered textual characteristics pose challenges for structured information extraction and systematic analysis. Using oral history texts concerning ration coupons as a case study, this research explores and validates a human-AI collaboration methodology that “disciplines” large language models(LLMs) into scholarly assistants capable of strict instruction following. We design a progressive four-stage experiment—basic instructions, rule-based instructions, programmatic constraints, and few-shot learning—to iteratively optimize how to leverage LLMs, semantic understanding and instruction-following capabilities for efficient and precise structured information extraction. The findings show that the maturity of prompt engineering substantially affects output quality, and that carefully designed programmatic constraints can markedly improve the accuracy of LLM-based analyses. We further compare LLMs optimized for different tasks within a common technical framework, documenting variation in logical adherence, confirming the value of few-shot learning while identifying its point of diminishing returns, and revealing inherent limitations of LLMs in tasks requiring exact computation. The study distills an LLM “disciplining” framework for oral history text analysis that incorporates core strategies such as rule-based transduction/normalization and prudent task allocation between humans and models. The framework delivers efficient and accurate structured analysis of oral history texts and offers a reproducible, scalable intelligent research paradigm for digital humanities.

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    Transnational Connections and Barriers in DH: A UK-China Case Study
    Chen Jing, Paul Spence, Trans. Jiang Yunfang, Zheng Xinyi
    Digital Humanities Research    2025, 5 (3): 1-40.  
    Abstract424)      PDF(pc) (11854KB)(159)       Save

    This report presents the findings of a comparative study of the digital humanities landscapes in the UK and China, based on a literature review and 45 in-depth interviews with academics, funders, policy makers, and professionals across the cultural and technological sectors. It offers the first large-scale, qualitative cross-national comparison of DH in these two countries and explores how cultural, institutional, and infrastructural contexts shape digital scholarship in the humanities.

    The research identifies both shared challenges and divergent trajectories in DH development. While the UK has a longer tradition of DH institutionalisation—rooted in academic departments, project-based innovation, and integration with cultural heritage institutions—China’s DH field has grown rapidly in recent years, influenced by national strategies, infrastructural ambitions, and an increasingly interdisciplinary academic environment.

    Key findings include:

    ● Diverse understandings of DH

    UK participants often view DH as experimental, interdisciplinary and practice-based, while Chinese scholars describe a fragmented but rapidly growing field, often shaped by institutional constraints and pragmatic goals.

    ● Funding landscapes

    In the UK, competitive, project-based funding is typical, with expanding support for infrastructure and public engagement. In China, funding is more centralised and strategically aligned with government priorities, especially in cultural heritage and smart technologies.

    ● Infrastructure gaps

    Both Countries face challenges in sustaining digital infrastructure. UK stakeholders emphasise interoperability, diversity, access, and sustainability; Chinese participants focus on uneven development, regional disparities, and data standardisation.

    ● Professional identity and career paths

    UK scholars have greater recognition of DH roles, though career progression for technical staff remains difficult. In China, DH identities are less formalised, and professional pathways are emerging but uncertain.

    ● Collaboration opportunities

    There is strong interest in UK-China collaboration, but barriers include linguistic divides, lack of shared platforms, limited cross-national funding, and epistemic disconnections in research practice.

    The report concludes with strategic recommendations for funders, researchers, universities, and the Galleries, Libraries, Archives and Museums(GLAM) sector to strengthen transnational collaboration, build inclusive infrastructures, support emerging professionals, and foster mutual understanding across the UK and China in the digital humanities.

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    Chinese Character Standardization in the Digital Age: Examples from the GB 18030—2022 Standard

    Yang Yanhui
    Digital Humanities Research    2025, 5 (3): 107-117.  
    Abstract368)      PDF(pc) (1588KB)(127)       Save

    The mandatory national standard GB 18030-2022 “Information Technology—Chinese Coded Character Set” modified 52 glyphs containing the component “” from“” to“” compared to its previous version. Among these, the 14 characters that overlap with the “General Standard Chinese Characters Table” appear twice in different appendices of this character set, with the same character glyphs inconsistently using either “” or “”, resulting in contradictions. The rationale behind these glyph modifications remains unclear and involves changes in character construction principles, making the revisions debatable. This issue reflects a broader problem in the digital era: the disconnection between fundamental research and practical application in the informatization of Chinese characters and the language, which carry profound cultural connotations. This disjunction directly impacts the continuous inheritance of Chinese cultural heritage, and resolving the issue require stop-level design and long-term planning from a macro perspective.

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    Summary of the International Symposium on “Cultural Diversity and Digital Humanities”

    Zhou Shubin, Wang Huiru
    Digital Humanities Research    2025, 5 (3): 118-128.  
    Abstract321)      PDF(pc) (1641KB)(220)       Save

    This paper reviews the "Cultural Diversity and Digital Humanities" International Symposium held in Hohhot, China, from July 29 to 30, 2025. The conference was jointly organized by the School of Information Resources Management and the Research Center for Digital Humanities of Renmin University of China, and the Institute of the History of science and technology at Inner Mongolia Normal University. The conference attracted 227 scholars and industry experts from countries and regions including China, Australia, Japan, and Singapore, with 112 papers selected for presentation and 6 projects exhibited. The conference included keynote speeches and six thematic forums, covering topics such as digital literacy and education, science and technology heritage preservation, digitization of ancient books and documents, multimedia communication, cultural industry empowerment, and the construction of national communities. The symposium highlighted the unique characteristics of digital humanities in the fields of technological empowerment and cultural transformation, cultural diversity and social identity, international dialogue, and regional cooperation. It showcased the latest achievements in protecting and innovating cultural diversity through digital humanities and provided a reference for the development trends of China’s digital humanities research in the international context.

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    The Thought of li and yue (礼乐) and “Ordered Tianxia”: A Social Network Analysis of War and Alliance in the Pre-Qin International System

    Hou Changkun
    Digital Humanities Research    2025, 5 (3): 90-106.  
    Abstract271)      PDF(pc) (5759KB)(256)       Save

    What kind of distinctive international order existed in the Spring and Autumn and Warring States periods that prevented the phenomenon and practice of “might makes right” and “small states having no diplomacy” from being carried out thoroughly? Mainstream international relations theories, such as hegemonic stability theory and balance-of-power cost arguments, fail to adequately explain this phenomenon in the Pre-Qin era. Alternative theories based on exceptionalism provide partial explanations but lack universality. In this context, this article draws on the Confucian thought of li and yue (propriety and harmony,礼乐) in the Liji to Construct a theoretical branch of Tianxiaism, namely the “Ordered Tianxia” theory, to explain the existence of this distinctive order. At the same time, the study offers implications for contemporary dominant powers and aspiring hegemons in building international order. It argues that certain hegemonic behaviors reflect the ideas of li and yue: propriety and harmony generate order, thereby forming an ordered international system. Li Constrains the behavior of states such that great powers protect small states, small states support great powers, and both respect one another. Methodologically, this research applies social network analysis to examine the war and alliance networks of the Pre-Qin international system and conducts case comparisons of Duke Huan of Qi and Duke Wen of Jin. The findings Confirm that the phenomenon of “Ordered Tianxia” did exist and functioned in shaping the international order of that era.

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    An On-site Research of DuFu’s Poem “Felling Trees in Huo Jing Arousing Shrieking of Apes”: The GIS Digital Platform on Forts and Postal Ways in Qiong Ya, Jian Nan Dao
    JianJinsong, Liao Xuanmin, Wang Yong, LinXiaoyun, Zheng Tengyao
    Digital Humanities Research    2025, 5 (3): 61-89.  
    Abstract249)      PDF(pc) (10707KB)(107)       Save

    In Du Fu’s poem Ru Zou Hang Zeng Xi Shan Jian Cha Shi Dou ShiYu (入奏行赠西山检察使窦侍御) exists the line “Felling Trees in Huo Jing Arousing Shrieking of Apes” (斩木火井穷猿呼).It reflects his concern for the defense of QiongZhou (邛州) and YaZhou (雅州) in Jian’nan Dao (剑南道). Similarly, he also mentions “The smoke of war spreads out into HuoJing” (烟尘侵火井)in his poem Xi Shan San Shou (西山三首), further revealing his anxiety about regional security of QiongZhou and YaZhou.

    From the perspective of satellite imagery, I examine the crisscrossing ridgelines of the Western Mountains in Jian’nan, which often reach heights of up to 5,000 meters. These imposing natural barriers entirely surround and block potential Tibetan (吐蕃) incursions into QiongZhou (邛州) and YaZhou (雅州) via this route. Interestingly, Du Fu never visited QiongZhou or YaZhou himself. How should we interpret his concern for their defense in the context of the Tang-Tibetan conflicts?

    Using digital methods, this study reconstructs three major transportation routes: the road from Chengdu (成都) to DaJianlu (打箭炉), the route from Chengdu through WenChuan County (汶川县) via the resplendent Banlan Balang Mountain Pass (斑斓巴朗山垭口), and the ancient Lingguan Post Road (灵关古驿路) as recorded in Yuanhe Gazetteer of Prefectures and Counties (元和郡县图志). These roads are presented through detailed data and visualization, offering readers a factual basis to evaluate the plausibility of Tibetan incursions into the Qiong and Ya regions.

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    Constructing an Independent Knowledge System for Chinese Digital Humanities from the Perspective of Sovereign AI
    Liu Wei, Liu Shengying, Jin Jiaqin, Shan Rongrong
    Digital Humanities Research    2025, 5 (4): 3-16.  
    Abstract207)      PDF(pc) (2031KB)(409)       Save
    In the context of intensifying global technological competition and the emergence of "Sovereign AI" as a national strategic priority, the development of an autonomous knowledge system has become a central issue in safeguarding national digital sovereignty and cultural security. This paper systematically explores the urgency, theoretical foundations, and practical paths for building China's digital humanities autonomous knowledge system. It first examines the meaning of "Sovereign AI" in terms of technological control and cultural and semantic dimensions, analyzing its role in countering "digital colonialism." Building on this, the paper introduces Professor Duan Yucong's theory of "semantic sovereignty" and the DIKWP (Data-Information-Knowledge-Wisdom-Purpose) model as the core theoretical framework, arguing that the construction of an autonomous knowledge system in China must involve deep leadership over both the content and value intentions of knowledge. By analyzing key cases such as the China Academic World platform, the Shidian Ancient Books platform by ByteDance and Peking University, and the ICH-Qwen large language model, the paper reveals a construction path that integrates top-level design, technological empowerment, and paradigm innovation. The research indicates that China's digital humanities autonomous knowledge system is built on the Sovereign AI strategy, with semantic sovereignty as the core, using digital platforms and intelligent tools to achieve data autonomy, knowledge innovation, and value guidance. Finally, the paper reflects on potential challenges such as the "sovereignty trap" and envisions the future of an open, confident, and globally influential Chinese digital humanities academic community.
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    Construction and Application of the Knowledge Base for Duan Yucai's Shuowen Jiezi Zhu
    Shen Xiaoni, Peng Weiming, Hu Jiajia
    Digital Humanities Research    2025, 5 (4): 68-83.  
    Abstract149)      PDF(pc) (7217KB)(260)       Save
    Duan Yucai's Shuowen Jiezi Zhu(Annotations on Shuowen Jiezi) stands as the pinnacle of research on Shuowen Jiezi, centrally reflecting the academic achievements of the Qian-Jia School. Currently, digitalization efforts for this work have largely remained at the textualization stage, with limited progress in the in-depth exploration and systematic presentation of its knowledge system. This research constructs a knowledge base using this work and its draft manuscript Shuowen Jiezi Du(Reading Notes on Shuowen Jiezi) as foundational texts. It designs a three-tier classification system encompassing five major knowledge categories, ten knowledge sets, and fifty-six knowledge points, completing the annotation and structured representation of tens of thousands of knowledge instances. An interactive platform featuring original text retrieval, knowledge navigation, and annotation management functions has been developed. This study represents a systematic practice of digital humanities methods in the field of traditional philology,providing crucial references for the in-depth digitization of ancient texts and the innovation of humanistic research paradigms.
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    Artificial Intelligence's Involvement in the Path of Film Criticism: “Non-human” Interpretation, Algorithmic Illusion and Platform Orientation
    Song Wei
    Digital Humanities Research    2025, 5 (4): 118-128.  
    Abstract135)      PDF(pc) (1737KB)(221)       Save
    In the era of cultural production increasingly shaped by artificial intelligence, big data and algorithmic logics have become deeply embedded in the fabric of film-criticism practices. Within this process,“AI distant viewing” conducted under the framework of computational film studies, together with algorithm-driven computational understanding and generative criticism,does not in fact construct a complete chain of “viewing-interpretation-critique. ” Instead, it tends to produce a de-aestheticized and de-experiential “meaning-vacuum” form of approximation. At the same time, platform-oriented aggregation and recommendation based on probabilistic statistics merely fabricate a service-oriented feedback mechanism that resembles criticism and appears to generate critical efficacy,while its essence lies in a field of homogenized opinion reproduction governed by algorithmic preset rules. The transformation of film criticism in the age of AI is therefore not a paradigmatic overhaul but a path-dependent intervention that introduces heterogeneous forces into processes of viewing,interpretation, and dissemination,  thereby exerting multidimensional infiltration, redirection, and structural constriction upon existing critical paradigms.
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    To Augment, Not Replace: AI Metadata Generation Models for Audiovisual Archives and Cultural Interpretation
    Wei Xiaoshi, Matthew James
    Digital Humanities Research    2025, 5 (4): 60-67.  
    Abstract129)      PDF(pc) (1310KB)(176)       Save
    This article addresses the challenges faced by GLAM institutions in managing sound and audiovisual archives, characterised by exponential digital growth, funding constraints, and a shortage of specialised cataloguing expertise. In response to this “triple dilemma,” we advocate for developing AI-assisted metadata tools designed to augment—not replace—human expertise, thereby shifting focus from digitisation to knowledge organisation and recontextualisation. Through a case study on early 20th-century Chinese quyi(narrative singing) recordings, we demonstrate how a domain-specific AI model—integrated with a Retrieval-Augmented Generation(RAG) architecture and trained on classical texts and expert annotations—enables deeper semantic analysis and culturally sensitive description. Ultimately, we call for collaborative development of such AI systems among ethnomusicologists, archivists, and technologists. This human-in-the-loop approach aims to enhance the global accessibility and interpretability of sound archives while preserving the accuracy and richness of cultural contextualisation.
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    Bringing Local Voices to the World: A Seminar on the Glocal Practice of Sound Archives—A Review on Their Creative Reconstruction in Digital Humanities
    Wu Yang, Liu Ying, Wan Zhenyan
    Digital Humanities Research    2025, 5 (4): 21-25.  
    Abstract120)      PDF(pc) (1191KB)(366)       Save
    Sound archives, serving as vital carriers of cultural heritage,present enhanced possibilities—including data storage and migration, cataloguing, annotation, implementation, and dissemination—through the application of digital humanities technologies. This interdisciplinary symposium, “The ‘Glocalisation’ Practices of Sound Archives,” explores the integration of sound archives with digital methods for their preservation,interpretation,and activation. Contributions include Professor Richard Wolf’s reflections on ethnomusicological film as a medium for archiving and contextualizing traditional music; Dr. Xiaoshi Wei’s emphasis on deep description and recontextualisation of private sound collections; Dr. Matthew James’s presentation on the AI-enhanced, globally-oriented “Echo Arc” project for audiovisual archives; and Curator Colin Chinnery(Qin Siyuan)’s discussion on the cultural and technical dimensions of sound collection and exhibition. Together, these case studies illustrate current interdisciplinary innovations and pathways in sound archive research, while underscoring the need for future digital practices to preserve cultural diversity better and ensure that sound is accurately heard, understood, and activated within a globalised framework.
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    An Ambiguous Reference Resolution Method for Party History Literature Integrating Semantic Understanding and Knowledge Graph Reasoning
    Ran Lingyu
    Digital Humanities Research    2025, 5 (4): 84-98.  
    Abstract114)      PDF(pc) (1903KB)(370)       Save
    The intelligent processing of Party history literature faces significant challenges due to the extensive use of pseudonyms,  alternative designations, and complex implicit relationships. This study proposes a multi-strategy semantic understanding and dynamic knowledge graph reasoning-based method for ambiguous reference resolution to address three major challenges in this field: the semantic gap, temporal evolution, and sparse evidence. The method constructs a domain-specific lexicon covering over ten thousand entities and a pseudonym-real name mapping database to incorporate prior knowledge. A domain dictionary-guided negative sample sampling strategy is employed to fine-tune pre-trained language models, enhancing their semantic perception of specific expressions. Finally, a time-constrained graph neural network reasoning algorithm is applied on a self-built temporal knowledge graph to mine implicit relationships and perform consistency verification. Experimental results demonstrate that the proposed method achieves an overall F1 score of 80.6% on authoritative evaluation metrics, significantly outperforming existing baseline models,and effectively uncovers deep historical correlations. The research outcomes have been integrated into a visual prototype system, providing a reliable intelligent tool for Party history research.
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    Presenting Folk Sound Documents in Museums
    (Colin Siyuan Chinnery
    Digital Humanities Research    2025, 5 (4): 35-47.  
    Abstract98)      PDF(pc) (17086KB)(156)       Save
    Based on Colin Siyuan Chinnery's report presented at the symposium “The ‘Glocalization’ Practices of Sound Archives,” this article delves into the practical pathways for inheriting and revitalizing folk sound archives with in the museum context. Through the archaeological investigation, observation, salvage, and documentation of sound categories such as “long-vanished sounds,” “ soon-to-disappear sounds,” and “ socially enduring sounds,” it explores how such sound archives can transcend mere documentary preservation via museum narrative techniques. This approach serves as a unique methodology for understanding social transformation and diagnosing cultural ecology, thereby linking individual memory with collective history.
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    Beyond Digitisation: Recontextualising Sound Archives in China
    Wei Xiaoshi
    Digital Humanities Research    2025, 5 (4): 48-59.  
    Abstract91)      PDF(pc) (8442KB)(159)       Save
    This article examines the paradigm shift in the preservation and study of sound archives in China, particularly those of traditional musics, moving from a focus on technical digitisation towards annotation, documentation, and—in its key concept—recontextualisation. Through multiple case studies—from early wax-cylinder recordings to contemporary field collections—I demonstrate how sound archives can be recontextualised by excavating their narrative, emotional, and cultural dimensions. I argue that sound archives should be treated as living cultural texts, embedded with rich layers of social,historical,and personal meaning. Such an approach reactivates sound as a medium for cultural dialogue, identity negotiation,and interdisciplinary research. Ultimately, the study calls for a more integrated, multimodal methodology in digital humanities—one that engages with sound archives not as isolated artefacts,but as dynamic resources for understanding “where we are” and “who we are.”
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    The Temporal Dimension of Ethnographic Film: Cases from the Wakhan Corridor and South India
    Richard K.Wolf
    Digital Humanities Research    2025, 5 (4): 26-34.  
    Abstract90)      PDF(pc) (5099KB)(287)       Save
    Based on Richard K. Wolf’s presentation at the symposium “The ‘Glocalisation’ Practices of Sound Archives,” this article delves into the reconstructive practices of archival materials across different temporal dimensions in ethnomusicological film. By comparing the disparities in traditional music archive development across different countries and regions and their resulting realities, it emphasises the core value of field recording archives and systematic metadata documentation. Using two of his own ethnomusicological films as examples, Professor Wolf elaborates on their role in activating and reconstructing sound archive materials. This approach not only enhances the preservation of sound and imagery but also, through re-contextualization, helps communities reflect on and engage with their own history while pondering the relationship between digital technology and cultural heritage.
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    Exploring the Possibilities of Literary Reception Studies through Quantitative Analysis: A Case Study of Matsuo Bashō’s Reception in the Modern Era
    Hibi Yoshitaka, Jiang Hui
    Digital Humanities Research    2025, 5 (4): 99-117.  
    Abstract89)      PDF(pc) (2906KB)(313)       Save
    This study aims to explore the potential of digital humanities methods in literary history research through a quantitative analysis of the reception of Matsuo Bashō in modern haiku. Utilizing the digital collections of the National Diet Library of Japan, the frequency of citations of Bashō’s haiku in literature from the Meiji to the prewar Shōwa period was statistically analyzed. Additionally, the Jaccard coefficient was employed to conduct a similarity analysis of large-scale haiku collections from the Meiji, Taishō,and prewar Shōwa periods. The research found that Bashō’s influence on haiku gradually declined over time, while the haiku of Masaoka Shiki, known for his criticism of Bashō, exhibited a style closer to Bashō’ s than that of general haiku from the Meiji period. This demonstrates that computer-based quantitative analysis can capture subtle expressive differences that are difficult for humans to detect,extracting the “unconscious rhetoric” of individuals and eras. Digital humanities methods can reveal deep-seated patterns that traditional research struggles to access,providing new pathways for the construction of “digital literary history”.
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    Wei Xiaoshi
    Digital Humanities Research    2025, 5 (4): 17-20.  
    Abstract81)      PDF(pc) (11752KB)(172)       Save
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